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Painting Holidays in Italy

Alan Reed

Chiesa del Carmine watercolour

We have just returned from another wonderful week in Umbria where we ran another Painting Holiday. Once again Chiesa del Carmine was the venue. For some of the guests it was their 3rd and 4th Painting Holiday in Italy with us and they have already re-booked for 2018 along with some our new guests this year.

This time we decided to make the holiday even more relaxing by hiring a luxury coach to enable stress free transfers for guests travelling from Newcastle Airport and for our day trips out to the hilltop towns of Assisi, Cortona, Todi and Perugia.

We added wine tasting and a fun trip around the nearby vineyards to our itinery which everyone loved.

The painters responded well to the challenge of painting “en plein air” throughout the week and were pleased with their results. It was a delight to see them develop their skills and grow in their understanding of drawing and painting.

As usual, I would often paint alongside the painters to aid tuition. Sometimes I would do a simple pen drawing in my sketchbook to help resolve the composition.

Alan Reed

Pen & Ink drawing of a vineyard near Chiesa del Carmine

Alan Reed

Sketch book pen drawing of Todi, Umbria

On other occasions I would either paint a sketchbook watercolour on hand made watercolour paper in the new batch of leather bound sketchbooks I had made myself at the Literary and Philosophical Society in Newcastle. It’s so rewarding painting in a sketchbook you have made yourself.

Alan Reed

Sketchbook watercolour of a vineyard

Or I would produce a larger painting on an Arches Watercolour Block. Sometimes I would do all three!

Although there is always lots to paint around Chiesa del Carmine, when you are running Painting Holidays in Italy, it’s always fun to break up the weeks activities by visiting other nearby places. The hilltop town of Todi has easy access for the guests who are less mobile. Park at the bottom of the town and take the funicular to the top where you can get terrific views of  the town which are fascinating to paint.

Several of the guests had a go at painting the scene below. What could have been quite a daunting cityscape for many was simplified by breaking down the complex array of gable ends, eaves and rooftops into more manageable horizontal and vertical shapes. A light wash of Lemon Yellow and Rose Madder for the sunlit areas and a gentle purple mix for the shadows helped to capture the higgledy piggledy nature of the Medieval town without resorting to lots of fussy detail.

Alan Reed

Todi, Umbria

It was a very satisfying trip on so many levels, summed up beautifully by the lovely testimonial below from one of our new guests who has already re- booked for 2018.

 

“Of all the many and varied holidays I’ve had this was one of the very best.  So many aspects of it will stay with me:  the beauty, tranquility, flora and fauna of the valley; the superb reverentially restored church and farmhouse; the attention to detail and comfort (who would have thought of building a fridge and glasses cupboard into an ancient wall surrounding the swimming pool?); the wonderfully talented chefs and friendly staff; the lovely and unspoiled local towns and cities and, most importantly of all, the thought and care that goes into combining all of these into a perfectly balanced week with something for everyone and lots of choice.
 
What about the painting? you’ll be thinking. This was a very personal experience for each of us. As someone with a love of art and no experience of creating any I learned something very important. How to look and how to see. I love Alan’s style and very much enjoy the paintings of his I own. A treasured possessions is one of his exquisite notebooks.
 
He is a sensitive, encouraging teacher at the same time as being an honest and helpful critic (not an easy balance to achieve). I confess to being frustrated by my own crass attempts at producing an actual painting of something recognisable but was not discouraged. I learned about mixing colours, appropriate brushes and something about the techniques I’d be so proud to master. I do have a drawing of an olive tree I’m quite happy with.
 
It was an absolute joy to watch those more skilled (and dedicated!) on site, in cafes, churches and viewpoints learning, sketching and painting. The finished works are more than inspiring.
 
I’m much better at shopping.  And Susan is a highly skilled mentor and adviser in this respect. Local knowledge and networking is something else that is a huge bonus in so many aspects of this holiday.
 
Good conversation, laughter and fun were in abundance last week. I’m missing that already – and the sun. Did I mention the sun? It shone all the time and sometimes with a gentle cooling breeze. Perfect. Everything was, actually, perfect.
 
 Thank you Susan and Alan so, so much”.
Maggie C

We have already set one of the dates for our Painting Holidays in Italy for 2018, 2nd – 9th June. There is now only one double room available.

Due to growing interest, we are considering running another one of our Painting Holidays in Italy in either September or October 2017. You can register your interest for 2018 at reedartholidays.com or alanreed.com

 

 

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