Tag Archives: sketchbook

Christmas Exhibition

Alan Reed

Mont Blanc & Manganese Blue

 

Christmas Exhibition starts Saturday 5th November with Fresh Coffee and Mince Pies.

Christmas Exhibition starts Saturday 5th November with Fresh Coffee and Mince Pies.

Click HERE for more information.

 

2016 has been busy and eventful year. It began with my watercolour “Mont Blanc and Manganese Blue” being selected for the Royal Watercolour Society‘s Competition in January. It is a painting inspired by a very memorable trip to Chamonix in the summer of 2015 when I was able to produce a number of sketchbook studies of the stunning scenery. My Mont Blanc painting forms part of this years Christmas Exhibition.

Alan Reed

Last Light, Ruwi, Oman

Much of this year has been spent working on commissions, including another 4 large landscapes for a client in Oman. Two of the commissions were oil paintings of mountain wadis. Continuing on the mountain theme is “Last Light, Ruwi, Oman” a painting which I was shortlisted for “Artist of the Year”. This watercolour is also on show for my Christmas Exhibition.

My connections with Scotland remain as strong as ever so I have several new original paintings on display featuring Edinburgh, Eigg and Rhum, Crail, Pittenweem and North Berwick.

You can also browse through my extensive collection of limited edition prints of Scotland at our Christmas Exhibition.

Italy has also been on our radar throughout 2016. In May and June we took guests out to Umbria for the painting holidays which we organise. We also took day trips to Arezzo and Anghiari in Tuscany so that the guests could have experience in painting these picturesque hill top towns steeped in history. Our week for June 2017 is already fully booked but we are taking expressions of interest for future painting holidays.

We returned in August for another trip where we experienced the tremors of the tragic earthquake which left many dead and homes destroyed. A reminder of the fragility of life.

I’ve also had the good fortune of working on several more painting commissions of Italy including 2 of the Colosseum. See some of my new works of Italy this Christmas Exhibition.

Alan Reed

Theatre Royal in the Rain

Of course, Newcastle and Northumberland features heavily for my Christmas Exhibition so there will be some new works for you to see on the run up to Christmas.

My Christmas Exhibition starts on Saturday 5th November. It runs Tuesday to Saturday 9:30 – 5pm right up until Christmas Eve on the 24th so you will have plenty of time to buy that special present for your loved one.

 

 

 

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Roman Forum

Alan Reed

Roman Forum, First Light

For over a year now I have been working on a number of painting commissions for an overseas client who has a passion for Roman history and paintings depicting Roman architecture. To paint these subjects with the kind of insight and integrity that they deserve, I make sure that I gather sufficient original reference by going on location to the exact places that have been requested.

Considerable time is spent surveying the subject from different angles and at different times of day to get the best composition and lighting. For this particular view of the Roman Forum I awoke when it was still dark and walked briskly from our hotel room along the deserted streets of Rome to capture the first rays of sunlight striking the ancient columns of the Temple of Saturn. I have to say, if you are visiting any busy city, it’s well worth the effort to get up early before the rest of the tourists take to the streets.

I wasted no time in whipping out my leather bound sketchbook to do a rapid watercolour study to get a feeling of the mood, light and general atmosphere of the Roman Forum.

Alan Reed

Painting on location in Rome

After taking several photographs from my first view point of the Roman Forum, I then made my way to another vantage point to tackle another possible painting. By then however, the sun had risen considerably higher so the lighting was not as interesting. I decided to return again the following morning. Fortunately I’m used to getting up early, so another visit was very much a pleasure than a chore. In the end, it was the second painting which the client was delighted with and which has been added to his growing collection of Alan Reed original paintings.

I’m pleased to say that my original painting of the Roman Forum titled First Light has been published as a limited edition print available online and from my Studio & Gallery in Ponteland, Northumberland. The original watercolour is also currently on view as well.

 

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Mount Street Gardens

Mount Street Gardens is a very quiet, peaceful public garden in Mayfair, London created in 1889. When I first came across it I was immediately struck by its calm, tranquil atmosphere. The warm afternoon sunlight was forming dappled areas of sunlight and shadows. There was little sound of the traffic, only the birds which have made Mount Street Gardens their home.

I wasted little time in getting out my sketchbook to make some simple watercolour studies to capture the scene which you can see below. A light wash of Cadmium Lemon over most of the page has added warmth to all the other colours. As with the majority of my sketchbook watercolours, there is no preliminary pencil drawing. I prefer to draw with the brush with paint so that all the brush marks are loose and have a directness to them.

Alan Reed

Sketchbook Watercolour of Mount Street Gardens

The studio painting is a 12″ x 9″ watercolour available from my website and has been painted on Arches watercolour paper. I’ve deliberatly chosen to keep the same palette as the sketch and avoided the temptation to tighten up with extra detail. I did take several photographs that afternoon and decided to base the composition on a viewpoint where I was standing up, rather than the seated position for the sketch.

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Time Lapse Sketches

Alan Reed

Charcoal Drawing of a John Singer Sargent Portrait

When I have a painting day ahead of me I like to spend a few moments warming up in my Moleskine Sketchbook. Usually I’ll have a quick flick through my John Singer Sargent books and choose a portrait to draw. I’ll sharpen up a medium to soft charcoal pencil and launch straight into the study.

The idea is simply to warm up, getting my hand to eye coordination  up to speed before tackling a more finished painting. It’s more about the journey than the outcome.

I’ve recently started to do some time lapse videos on my iPhone so folk who are interested can see the process of making a quick outline of the head before adding the details of the eyes, nose, mouth, hair etc. These videos have been uploaded to YouTube so if you click on the link it will take you to their site. The image above is a still from the time lapse video. The actual real time of the sketch is no more than twenty minutes.

 

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Painting Holiday

Alan Reed

Spello, Umbria

It’s only a few days now until our first Painting Holiday in Italy for 2016. All of the guests from our trip in 2015 have re-booked for another week in the 5 star luxury accomodation Chiesa del Carmine a beautifully restored ancient 13th century church.

Due to the popularity of the Painting Holiday, we have hired Chiesa del Carmine for a second week 4th – 11th June and we do have late availability.

Guests will be able to receive instruction on how to paint “en plein air” in watercolour, taking in the stunning views around the valley. We will also be going out for day trips to some of the picturesque hilltop towns and villages like Spello seen in the sketchbook watercolour above.

There are non painting guests too who are happy to enjoy relaxing in the fabulous grounds, the day trips and a round of golf at the nearby championship golf course Antognolla.

Alan Reed

Chiesa del Carmine

Bed, breakfast and evening meals are included in the price of the Painting Holiday. To find out more visit reedartholidays.com or to see a brochure click on this link.

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Gullane Gallery

Alan Reed

Crail, Coming Home

For the last three years I’ve been exhibiting my paintings at the Gullane Gallery, East Lothian. I’ve been invited again to show a selection of new works as part of their easter exhibition starting 12th March.

For over 20 years I’ve enjoyed painting in Scotland so for this exhibition I decided to revisit some of the fishing villages that I’ve painted in the past along the East Neuk of Fife. The weather has been dreadful over the winter months which hindered my plans right up until early February when I was finally able to travel with the promise of sunny weather.

I managed to visit three of the fishing villages which I have painted before and have published as limited edition prints, Pittenweem, Anstruther and Crail.

Even though it was sunny, it was still very cold but I was still able to do a sketchbook watercolour at each one of the harbours. The one of Crail was painted from a high vantage point looking into the low winter sun.

Alan Reed

Sketchbook Watercolour of Crail

For the larger studio painting I tried to keep the palette as simple as the sketch and the brush marks as lively, however I couldn’t resist adding some of the details found in the nearby buildings which overlook the picturesque harbour.

The exhibition at the Gullane Gallery will also feature another painting of Crail as well as paintings of Pittenweem, North Berwick and Edinburgh. The exhibition continues until 3rd April 2016.

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Christmas Exhibition

Alan Reed Art

Aiguille du Midi

Christmas Exhibition at the Alan Reed Studio & Gallery in Ponteland

Christmas Exhibition Preview Weekend 5th & 6th December

Tuesday to Saturday 9:30am -5:00pm

Continues until 24th December 2015

Earlier this year we had a family holiday in Chamonix, France with our daughter and grandchildren. We took two trips up the spectacular Aiguille du Midi which we would gaze at every day from our apartment in Chamonix.

On each trip up this dramatic peak, accessed by cable car, I did a sketchbook watercolour, one of Mont Blanc, the other seen below, looking across the vast expanse of mountain peaks that seemed to go on for ever. The sketchbook painting became the catalyst for this 16″ x 12″ studio watercolour above, which can be seen at our Christmas Exhibition.

The preview weekend starts 5th & 6th December. The Christmas Exhibition continues until 24th December.

Alan Reed

Sketchbook watercolour of Aiguille du Midi

From Aiguille du Midi you also get a wonderful view of Mont Blanc, the highest mountain in the Alps. I enjoyed painting these scenes so much that I intend to develop more of my sketchbook paintings from Chamonix into larger works.

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Worship

Watercolour by Alan Reed

Worship

I’m currently reading Andrew Graham Dixon‘s excellent, well researched book “Caravaggio A Life Sacred and Profane”. I recall being totally enthralled and inspired by the stunning exhibition of Caravaggio’s paintings at the National Gallery in London back in 2005 and wished that I’d had a deeper understanding of the Christian symbolism that is at the core of his paintings.

Andrew’s carefully thought out book which beautifully dovetails the relevant passages of scripture to each painting described, certainly enlightens the viewer to both the meaning of each masterpiece and provides a helpful insight to the Word of God that Caravaggio’s work aimed to bring to life in his generation as a catalyst to worship.

Over the years I have painted a number of watercolours which do contain symbolism and meaning beyond the surface depiction of a specific place or person, however I’ve always allowed the viewer to come to their own conclusion of any significance. On our recent Painting Holiday in Umbria, Italy I began to see another painting develop from a single sketchbook watercolour that I decided to paint for my own meditation and reflection.

One of our guests on the Painting Holiday is a talented pianist and a committed christian. Every day he would spend time playing the grand piano that sits in the beautifully restored church Chiesa del Carmine where we stay. In the evenings after our evening meal he would entertain us with some delightful rendition of “As time goes by” and “Somewhere over the Rainbow”. The symbolism in the painting is not too difficult to see as the scene portrayed is in a building that once was a dwelling place for believers as they gathered to worship. There are plenty of objects in the room setting that one can meditate on and use to bring scripture to mind to reflect on like the terracotta lion, the crucifix, the incense burner, the candle stands, the light streaming through the window and of course the piano itself being played by the believer. There are others which I will leave to the viewer to ponder and look for.

Back in 2004 we were staying at the nearby Casa San Gabriel and we took the scenic walk around the undulating valley. I stopped to do a small sketchbook water-colour of the old church, then in ruins, overgrown and looking totally dilapidated. I remember thinking at the time it would be great to take this ruined structure and restore it, however I never envisioned that I would actually be staying there and painting it with a group of guests!

The actual quality of the restoration is of the highest standard, right down to the smallest details. Chiesa del Carmine has a fully fitted kitchen, dinning room, living room and toilet and is the perfect place to relax, read, listen to music or even play music. The villa next door has also been restored to the same high standard and can accommodate 14.

Our week in May 2016 is now fully booked up. There is availability for the week in June 2016 and we may do a week in September 2016 too. Please contact us if you would like to receive further details.

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Painting Holiday

Alan Reed Painting Holiday

Demonstrating how to paint in the grounds of Chiesa del Carmine

We have just returned from another successful Painting Holiday in Umbria, Italy. Six of our guests from our Painting Holiday in 2014 joined us again this year and  all nine guests hope to return in 2016.

The venue this year was the recently restored church Chiesa del Carmine, a building that was in ruins which I first painted on location back in 2004. I never dreamed that one day I would have the privilege of painting in, what is now, beautifully landscaped gardens.

The accommodation itself is stunning and is the perfect place to chill out and relax. There are plenty of subjects to paint in and around the property (which we did) but we also enjoyed a couple of day trips out and about.

The first was the small hilltop town Todi, just south of Perugia. We based ourselves in the piazza and painted the architecture before enjoying a delicious pizza at a nearby restaurant. 

 

Alan Reed Painting

Watercolour Sketchbook Study of Todi, Umbria

 

After lunch we continued painting the town, this time from a vantage point where we could tackle the terracotta roofs and countryside.

The second day trip was to the market at Umbertide where guests enjoyed wandering about in the warm sunshine followed by lunch in Gubbio, a larger town that boasts the remains of a Roman Teatro and a network of typical Umbrian street scenes.

The painting guests tackled a rather challenging stone fountain, appropriately named Fountain of Madness.

I too had a go painting the fountain but also painted a sketchbook watercolour of the nearby street, capturing the contrasts between the sunlit areas and shadows.

The owners of Chiesa del Carmine offered a 250 Euro prize to the best painting of the week that captured the venue. All the painting guests spent considerable time tackling what was a very difficult subject and the results were not easy to judge. We had an informal critique at the end of the week of all the paintings produced where I also announced the winning painting which will go on display in Chiesa del Carmine.

Alan Reed Painting

Sketchbook Watercolour of Street scene in Gubbio

We’ve already booked the same venue our Painting Holiday next May but this time over two weeks as many more folk have expressed an interest in coming. Please contact for further information.

 

 

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Artists and Illustrators

Last Light, Ruwi, Oman Painting

Last Light, Ruwi, Oman

On Friday I received a phone call from Artists and Illustrators Magazine to say that I’d been shortlisted as one of 50 artists for their competition “Artist of the Year 2014” with my original watercolour “Last Light, Ruwi, Oman”. I was delighted with the news as there were over 3,000 entries.

The winner will be announced in the December issue of the magazine which comes out on the 7th November. There will be an exhibition at the Mall Galleries in London 6th-17th January of the shortlisted entries.

My studio watercolour of Ruwi in Oman is the result of spending many hours making sketchbook studies on location in Oman. I’ve often risen when it was still dark to make sure I was in the right spot to capture the early morning light, however on this occasion it was a case of being in the right place to record the last throws of the middle eastern sunlight catching the distant hills.

The district of Ruwi can be seen nestling in the surrounding foothills with its white architecture coated in cool shadows. I’ve used a limited palate of Winsor and Newton watercolours on a very rough handmade paper to create a distinct contrast between the dark purple, craggy hills and the lighter crisp edges of the buildings.

I’ve now been painting scenes of Oman for 8 years for various clients in Oman. In 2013 I was thrilled to receive “The Artists prize” for the Royal Watercolour Society Competition from The Artists Magazine. My winning painting on that occasion was Jebel Akhdar, Oman which is currently on view at my Studio & Gallery in Ponteland.

 

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