Tag Archives: Perugia

Painting an Olive Tree

Painting an Olive Tree

Sketchbook Watercolour Painted in Umbria

One of the subjects I often get our guests on our Painting Holidays to have a go at is Painting an Olive Tree.

The grounds of Chiesa del Carmine are full of them. They are not too difficult to draw compared to other subjects so it’s relatively easy for the guests to spend a couple hours sketching to come up with a result they are pleased with.

On our last Painting Holiday in June this year I made a video of me Painting an Olive Tree. It was a small sketchbook watercolour painted in one of the leather bound sketchbooks that I’ve made containing some quite heavily textured watercolour paper.

Over the years I’ve often worked my sketchbook watercolours of olive trees into larger Studio paintings, making sure that I retain the spontaneity of the original study.

My interest in olive trees began when we first visited Umbria, Italy in 2002. I’d purchased some delightful leather bound sketchbooks from the Fabriano Paper Factory in the Marche region of Italy. I couldn’t wait to christen them with some watercolours and began by painting various scenes around the hotel we were staying. This was the start of a new creative process for me, painting directly with a brush onto hand made watercolour paper with no preparatory drawing in pencil.  Of course I’d painted on location in watercolour many times before, but it had always been on watercolour blocks. Also this was the first time I had not drawn out the scene before hand in pencil. I now have numerous leather-bound sketchbooks containing a wonderful record of our travels both here in the UK and overseas.

Throughout the months of July and August I am displaying my sketchbooks at our Studio and Gallery in Ponteland. Recently a couple of our guests who had been on two Painting Holidays with us, commissioned a watercolour inspired by one of my sketchbook studies. The subject was Perugia, one of the places we had taken them to. They wanted a painting to remind them of the lovely holidays they had been on. They have also re-booked for 2019 which means that our week in June 2019 is fully booked.

Please feel free to visit our gallery to look through my sketchbooks to see if there is something I’ve painted that reminds you of that special place that you have fond memories of. Best to telephone 01661 871 800 first to make sure we’re open.

 

Comments { 0 }

Great North Exhibition 2018

 

Great North Exhibition 2018

Grey’s Monument, Newcastle

 

The Great North Exhibition 2018 started at Newcastle’s spectacular quayside on the evening of Friday 22nd June. It heralded the start of 80 days of brilliant events, activities, performances and exhibitions celebrating art, design and innovation. I was unable to attend the launch however when I turned up to the Junction 42 offices this morning in Newcastle I couldn’t help but notice the brightly coloured banners bathed in early morning sunshine that were wrapped around Greys Monument.

The banners contain declarations like “no starving children” and “abolition of privilege”.

Great North Exhibition 2018 is a celebration of the North of England’s pioneering spirit which has three starting points, Baltic Centre for Contemporary Art, the Sage Gateshead and the Great North Museum. These starting points also include the Get North Water Sculpture and the Discovery Museum which has Stephenson’s Rocket.

Starting on 30th June at my Studio & Gallery in Ponteland, I will be embracing the Great North Exhibition 2018 theme of celebrating art, design and design by exhibiting some of my finest paintings.  I will also be describing to visitors my creative process which will include a tactile display of my leather bound hand made sketchbooks.

 

Great North Exhibition 2018

Leather Bound Sketchbooks

 

The pages of the sketchbooks record many of my painting travels, not just around the region but overseas in countries like Italy and Oman. Without doubt, these “en plein air” studies in watercolour are amongst my most precious possessions and are the catalyst for many of my studio paintings. Just last week a couple who have been on two of our painting holidays in Italy commissioned a watercolour of Perugia from one of my sketchbook watercolours of the Umbrian town.

My Summer Exhibition also includes recent oil paintings of the Angel of the North and the Tyne Bridge which have been embellished with 22 ct gold leaf and take on a different look and feel depending on the light.

If you would like to come and see the exhibition and look at the sketchbooks then it is best to contact first to make sure we are open.

 

 

 

Comments { 0 }

Paintings of Umbria

Alan Reed

Sketchbook Watercolour of Via dell’Orso

When producing Paintings of Umbria I always try to articulate in paint the distinctive characteristics of this fascinating region in Italy which my wife and I have been visiting since 2002. We’ve grown to love and appreciate Umbria’s wonderful hilltop towns, its food and wine. Through our reedartholidays we’ve been able to share our knowledge with many others who regularly join us. Our trip in June 2018 is already fully booked so we are taking expressions of interest for a possible trip in September 2018.

On a recent Painting Holiday to Italy we took our guests to Perugia, a large town in Umbria which has lots of narrow streets winding their way to the top. I noticed this particular street which was mainly in shadow apart from a shaft of sunlight breaking out to catch different aspects of the architecture in the distance.

I quickly whipped out my sketchbook and did this small watercolour making sure that I captured not only the sunlight and shadows but also the figure to provide a sense of scale and interest. By the time I had finished there was another strong shaft of midday sunlight hitting the top of the archway I was under on the right hand side.

I was recently doing a watercolour demonstration for a North East Club and decided to do a much larger watercolour inspired by the sketchbook study. In the demonstration I only got as far as the first two washes. The first was a mix of Cadmium Lemon and Cadmium Yellow. Once that dried I went over parts of that first wash with some Rose Madder.

For the benefit of those attending the demonstration I decided to video me finishing off the rest of the Painting of Umbria which you can watch on YouTube. Most of the video is a time lapse and it doesn’t include all the painting work I did but it does give you an idea of how I tackled the main areas and some of the important details.

Alan Reed

Watercolour of Via dell”Orso, Umbria

You can see in the video that I’ve been very direct with the brush marks to keep them lively and fresh. I’ve also dropped in some more Rose Madder to capture parts of the stone work being warmed by the sunlight.

Once the shadow areas have dried you can see how there is some lovely granulation of the pigment which provides some interesting texture to the stonework.

I used a much smaller brush to start adding in a few areas of detail like the windows, stonework and bricks. I kept the original sketchbook study close at hand to make sure I didn’t fall in to the trap of just copying the reference photograph which I use for accuracy.

I always let the shadow areas dry before going in with the details like the dark doorways and I like leave some of the first washes to show through to bring some light and sparkle to parts of the painting which could otherwise become lifeless.

The bottom of the street is sunlit and this became the focal point of the painting, not just because of the warmer, lighter colours but also because of the figure making its way down the steep hill.

I went into the shadows with some even darker tones for further detail and depth. And it was back to using the big brush to avoid going to fiddly. You can also see in the video that I’m not just using the tip of the brush but also its side, using it to catch the very rough texture of the paper, which is Fabriano Esporzione, a beautiful handmade paper.

A few more details were added before making the decision to lift out some of the colour where the sun is just above the tops of the buildings. This emphasised the sense of sunlight breaking out to create the shaft of light cutting through the dark, slightly foreboding shadows.

So there you have it. A large watercolour of Via Dell “Orso in Perugia, Umbria available from www.alanreed.com and from our Gallery in Ponteland.

You can see more watercolour Paintings of Umbria and painting videos on alanreed.com

Comments { 0 }

Painting Holidays in Italy

Alan Reed

Chiesa del Carmine watercolour

We have just returned from another wonderful week in Umbria where we ran another Painting Holiday. Once again Chiesa del Carmine was the venue. For some of the guests it was their 3rd and 4th Painting Holiday in Italy with us and they have already re-booked for 2018 along with some our new guests this year.

This time we decided to make the holiday even more relaxing by hiring a luxury coach to enable stress free transfers for guests travelling from Newcastle Airport and for our day trips out to the hilltop towns of Assisi, Cortona, Todi and Perugia.

We added wine tasting and a fun trip around the nearby vineyards to our itinery which everyone loved.

The painters responded well to the challenge of painting “en plein air” throughout the week and were pleased with their results. It was a delight to see them develop their skills and grow in their understanding of drawing and painting.

As usual, I would often paint alongside the painters to aid tuition. Sometimes I would do a simple pen drawing in my sketchbook to help resolve the composition.

Alan Reed

Pen & Ink drawing of a vineyard near Chiesa del Carmine

Alan Reed

Sketch book pen drawing of Todi, Umbria

On other occasions I would either paint a sketchbook watercolour on hand made watercolour paper in the new batch of leather bound sketchbooks I had made myself at the Literary and Philosophical Society in Newcastle. It’s so rewarding painting in a sketchbook you have made yourself.

Alan Reed

Sketchbook watercolour of a vineyard

Or I would produce a larger painting on an Arches Watercolour Block. Sometimes I would do all three!

Although there is always lots to paint around Chiesa del Carmine, when you are running Painting Holidays in Italy, it’s always fun to break up the weeks activities by visiting other nearby places. The hilltop town of Todi has easy access for the guests who are less mobile. Park at the bottom of the town and take the funicular to the top where you can get terrific views of  the town which are fascinating to paint.

Several of the guests had a go at painting the scene below. What could have been quite a daunting cityscape for many was simplified by breaking down the complex array of gable ends, eaves and rooftops into more manageable horizontal and vertical shapes. A light wash of Lemon Yellow and Rose Madder for the sunlit areas and a gentle purple mix for the shadows helped to capture the higgledy piggledy nature of the Medieval town without resorting to lots of fussy detail.

Alan Reed

Todi, Umbria

It was a very satisfying trip on so many levels, summed up beautifully by the lovely testimonial below from one of our new guests who has already re- booked for 2018.

 

“Of all the many and varied holidays I’ve had this was one of the very best.  So many aspects of it will stay with me:  the beauty, tranquility, flora and fauna of the valley; the superb reverentially restored church and farmhouse; the attention to detail and comfort (who would have thought of building a fridge and glasses cupboard into an ancient wall surrounding the swimming pool?); the wonderfully talented chefs and friendly staff; the lovely and unspoiled local towns and cities and, most importantly of all, the thought and care that goes into combining all of these into a perfectly balanced week with something for everyone and lots of choice.
 
What about the painting? you’ll be thinking. This was a very personal experience for each of us. As someone with a love of art and no experience of creating any I learned something very important. How to look and how to see. I love Alan’s style and very much enjoy the paintings of his I own. A treasured possessions is one of his exquisite notebooks.
 
He is a sensitive, encouraging teacher at the same time as being an honest and helpful critic (not an easy balance to achieve). I confess to being frustrated by my own crass attempts at producing an actual painting of something recognisable but was not discouraged. I learned about mixing colours, appropriate brushes and something about the techniques I’d be so proud to master. I do have a drawing of an olive tree I’m quite happy with.
 
It was an absolute joy to watch those more skilled (and dedicated!) on site, in cafes, churches and viewpoints learning, sketching and painting. The finished works are more than inspiring.
 
I’m much better at shopping.  And Susan is a highly skilled mentor and adviser in this respect. Local knowledge and networking is something else that is a huge bonus in so many aspects of this holiday.
 
Good conversation, laughter and fun were in abundance last week. I’m missing that already – and the sun. Did I mention the sun? It shone all the time and sometimes with a gentle cooling breeze. Perfect. Everything was, actually, perfect.
 
 Thank you Susan and Alan so, so much”.
Maggie C

We have already set one of the dates for our Painting Holidays in Italy for 2018, 2nd – 9th June. There is now only one double room available.

Due to growing interest, we are considering running another one of our Painting Holidays in Italy in either September or October 2017. You can register your interest for 2018 at reedartholidays.com or alanreed.com

 

 

Comments { 0 }

Paintings of olive trees

Alan Reed

Olive Grove, Spring Light

I’ve been painting “en plein air” in Italy since 1991 when Susan took me to Venice. I fell in love with its architecture, the light, atmosphere and culture. However, it was not until our first visit to Umbria in March 2002 that I started to make sketchbook studies of olive trees.

We were staying in the Relais il Canalicchio hotel, perched on a hill commanding stunning views of the Umbrian countryside. During the first night of our stay, having enjoyed a fabulous meal at their restaurant, there was a heavy fall of snow. We awoke to complete silence and total white out. We were literally snowed in until the following day. Once the snow had cleared we began to explore Umbria in earnest, taking in hilltop towns like Orvieto, Todi, Perugia, Assisi and Norcia.

On one occasion we drove to the Fabriano paper factory and I purchased several leather bound sketchbooks containing their wonderful hand made watercolour paper that is so lovely to paint on. On our return to the Relais il Canalicchio I wasted no time in testing the first sketchbook by painting the view from our room as the sun was going down.

Alan Reed

Sketchbook Watercolour from the Relais il Canalicchio

It was during this period that I began to develop a sketchbook painting style in watercolour where I would deliberately avoid drawing out beforehand the scene in pencil. This meant that the brush marks became more considered, fluid and direct.

I also began to make sketchbook studies of the olive trees that surrounded the tiny hill top town of Canalicchio. These became the inspiration for a number of studio paintings including the one below of the Relais il Canalicchio available as a limited edition print.

Painting of Relais il Canalicchio

Relais il Canalicchio

On our reedart painting holidays in Umbria we stay at Chiesa del Carmine. The gardens have plenty of olive trees for the guests to paint. They have fun painting and drawing their twisted branches and beautifully shaped leaves. I also join in the fun with my own sketchbook watercolours. These days I make my own sketchbooks using paper from Khadi Papers and leather from a local supplier.

Alan Reed

Sketchbook Watercolour of Olive trees

Comments { 0 }

Painting Holiday in Umbria

Near Pienza, Evening Sunlight

Near Pienza, Evening Sunlight

There are only 2 double rooms and a single room left on our Painting Holiday in Umbria, Italy 9-16th May 2015.

I’m really looking forward to what promises to be a lovely time of painting “en plein air” in and around a beautiful part of Italy.

Guests will have a fabulous opportunity to brush up on their painting skills whilst enjoying a lovely spring break in the glorious Umbrian countryside.

I recently demonstrated to my Friday watercolour class how to paint the Tuscan landscape using a series of simple washes to create depth and mood. This was done over two paintings. One was of Val d’Orcia early morning. The other was a scene near Pienza capturing the early evening sunlight. I’ll be planning similar exercises for the folk coming on the Painting Holiday in Umbria.

Guests will also be able to enjoy 7 Night Luxury 5* accommodation with heated swimming pool at the enchanting Italian hideaway, 5* luxurious Chiesa del Carmine.

We will have the opportunity to explore the surrounding villages and towns, as well as enjoying ample time to capture the stunning scenery surrounding Chiesa del Carmine.

After enjoying a delicious breakfast together at the Villa, a typical day will either be spent visiting one of the nearby towns like Cortona, Assisi, Spello or Perugia, or we will spend the day painting around Chiesa del Carmine or Casa San Gabriel.
Non painting guests are also very welcome and can either join us on days out or explore for themselves the beautiful surroundings. We will endeavour to meet your every requirements.

Antognolla is a championship golf course only 10 mins drive away and golf clubs are available.

Evenings are convivial gatherings, with pre-dinner drinks taken on the terrace, followed by a delicious Italian home cooked evening meal by our own chef either at Chiesa del Carmine or at a nearby restaurant. Breakfast and evening meals are Included in the price.

Guests will need to organize their own flights and car hire. However, it may be possible to share the cost of car hire with other guests.

If you would like to find out more, then please contact Alan or Susan on 01661 871 800  or email.

Comments { 0 }

Painting Holiday in Italy

Painting of Olive Trees on Location

Watercolour of Olive Trees, Villa Capanne

Painting in Italy

Alan giving an informal and positive critique of guests paintings carried out throughout the week.

We’ve just returned from a weeks Painting Holiday in Italy where we took 10 guests to stay at the luxury accommodation Villa Capanne in northern Umbria.

Whilst five of the guests were producing paintings of Italy, the others were happy to enjoy the visits to nearby towns such as Cortona, Assisi, Spello and Perugia and of course to sample the local food and wine. One of the guests enjoyed several rounds of golf at the Antognolla championship course.

To help the students with their painting “en plein air” I like to lead by example, so I did a number of watercolours in my leather-bound sketchbook and on Arches Watercolour Blocks.

Above is one of several watercolours I painted of the olive trees that grace the gardens of Villa Capanne.

At the end of the week I gave an informal and relaxed critique of the guests work carried out throughout the week.

The whole trip was such a success that we have planned a second painting holiday in Italy for 9th  – 16th May 2015.

“Thanks to Alan & Susan Reed for an amazing week’s painting holiday in Italy. Food, scenery, everything exceeded expectations! 5* would not do the week justice!! Made some lovely new friends! Thoroughly recommend it when they do their next one – but be warned – Alan can be a hard task master (in our own interest!!)”.

Mr A. Rapley

 

One of the links on this post is an affiliate link to a product which I personally use, available from Amazon. If you click on the link and buy this product then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

Comments { 0 }

Painting Holiday in Umbria

Watercolour of Perugia

Sketchbook Watercolour of Perugia, Umbria

We’ve just returned from a weeks painting holiday in Umbria, Italy where we took 10 guests to stay at the luxury accommodation Villa Capanne.

Five of the guests were painting, the others were happy to enjoy the visits to nearby towns such as Cortona, Assisi, Spello and Perugia and of course to sample the local food and wine. To help the students with their painting “en plein air” I like to lead by example, so I did a number of watercolours in my leather-bound sketchbook and on Arches Watercolour Blocks.

Above is one of two sketchbook watercolours I painted on our visit to Perugia.

Quote from one of our guests: “Thanks to Alan & Susan Reed for an amazing week’s painting holiday in Italy. Food, scenery, everything exceeded expectations! 5* would not do the week justice!! Made some lovely new friends! Thoroughly recommend it when they do their next one – but be warned – Alan can be a hard task master (in our own interest!!).”

Mr A. Rapley

The next painting holiday in Umbria is  scheduled for 30th August – 6th September 2014 with another one planned for May 2015.

For more information about the Painting Holiday in Umbria and to request a brochure for September 2014 please email alan@alanreed.com 

To see more paintings of Italy visit my Studio & Gallery in Ponteland, Northumberland or visit alanreed.com

Comments { 0 }

Painting Holiday In Umbria

 

Painting Holiday in Umbria

Painting Holiday in Umbria

 

Residential painting holiday in the heart of Italy with professional watercolour artist Alan Reed

Luxury Villa in Umbria

The accommodation sits on the 1,000-hectare private Antognolla estate, amid gentle rolling hills and centuries old Cypresses. stands at the top of the Antognolla Valley, looking down to the magnificent castle and across the championship golf course. Ideal for Non-Participants who enjoy golf or prefer to relax by the pool with a glass of wine.

This painting holiday in Umbria will involve me teaching students of all ages and stages my experience of painting in watercolour on location.

I will be taking the 10 delegates to various towns and cities around the area including Cortona, Spello and Perugia along with relaxing excursions into the lovely Umbrian countryside.

The sun terrace affords magnificent views of the Antognolla Castle and the estate beyond provide plenty of subject matter to paint.

Swimming Pool

All bedrooms are either twin or double with en-suite. Bed, breakfast and a delicious 3 course italian evening meal are included in the price. £865 / 1,012 Euro

Saturday May 3rd – Saturday 10th May 2014.

The next scheduled painting holidays in Umbria Italy are September 2014 and May 2015. Please contact for details or to register your interest.

Expert advise on painting materials will be given so that students will know what is required before the start of the holiday. For example, brushes can be purchased from alanreed.com or my Studio & Gallery in Ponteland.

There are only 10 places available therefore please contact for brochure or to book your place.

Alan Reed +44 (0) 1661 871 800   /  Mobile +44 (0) 771 874 1546

Chrissie Todd  +39 (0) 75 941 4219

 

Comments { 0 }