Tag Archives: painting commissions

Painting Commissions

Alan Reed

St Mark’s Square, Afternoon Sunlight

A significant part of my working life as an artist is working on Painting Commissions and I’m often asked to add in a person or group of people in to the painting that have a personal connection to the client. Sometimes this has been a family walking to the Theatre Royal or on the beach at Bamburgh. On other occasions it’s been a loved one walking their dog.

I recently received a painting commission of St Mark’s Square in Venice, similar to my limited edition print above. The client asked if I could include his partner in the scene so that he could give the painting to her as a birthday present. They had been to Venice on holiday together so the painting would be a lovely reminder and a great gift idea.

Painting Commissions in Venice, particularly in St Mark’s Square, can be challenging because of the crowds but I have a good number of sketchbook watercolours from my travels to inspire me, particularly when painting in the solitude of my studio in Ponteland.

The client supplied me with a few photographs of his partner so that I could paint her in the scene with a decent likeness. I also decided that it would be a nice idea to make a short video of key parts of the painting process. You can watch the video on YouTube.

I had the original painting framed in a lovely deep edged mount with an antique silver frame. I also used non reflective Ultra View Glass which helps to protect the painting from Ultra Violet Light. It’s so good that the painting almost looks like it has no glass.

If you would like to find out more on how to Commission a Painting then please contact Alan Reed Art Gallery.

 

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Roman Forum

Alan Reed

Roman Forum, First Light

For over a year now I have been working on a number of painting commissions for an overseas client who has a passion for Roman history and paintings depicting Roman architecture. To paint these subjects with the kind of insight and integrity that they deserve, I make sure that I gather sufficient original reference by going on location to the exact places that have been requested.

Considerable time is spent surveying the subject from different angles and at different times of day to get the best composition and lighting. For this particular view of the Roman Forum I awoke when it was still dark and walked briskly from our hotel room along the deserted streets of Rome to capture the first rays of sunlight striking the ancient columns of the Temple of Saturn. I have to say, if you are visiting any busy city, it’s well worth the effort to get up early before the rest of the tourists take to the streets.

I wasted no time in whipping out my leather bound sketchbook to do a rapid watercolour study to get a feeling of the mood, light and general atmosphere of the Roman Forum.

Alan Reed

Painting on location in Rome

After taking several photographs from my first view point of the Roman Forum, I then made my way to another vantage point to tackle another possible painting. By then however, the sun had risen considerably higher so the lighting was not as interesting. I decided to return again the following morning. Fortunately I’m used to getting up early, so another visit was very much a pleasure than a chore. In the end, it was the second painting which the client was delighted with and which has been added to his growing collection of Alan Reed original paintings.

I’m pleased to say that my original painting of the Roman Forum titled First Light has been published as a limited edition print available online and from my Studio & Gallery in Ponteland, Northumberland. The original watercolour is also currently on view as well.

 

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Windmills in Holland

Windmills in Holland

Windmills, Early Morning Light

Since painting windmills on location in Norfolk, I’ve enjoyed tacking this unusual subject matter. Earlier this year I travelled to Holland to work on some painting commissions for a client. The client wanted some scenes that were typically Dutch. My research took me to this particular scene where I did two small watercolours on Arches watercolour blocks.

I also made some charcoal studies in my moleskine sketchbook which are great for carrying about to make quick studies and for taking notes.

Using the on the spot studies, my own reference photographs and my experience in painting skies, I’ve produced this original watercolour which is now available as a limited edition print titled “Windmills, Early Morning Light”.

 

 

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