Tag Archives: Oman

The Artist

Painting of Jebel Akhdar, Oman

Original Watercolour of Jebel Akhdar, Oman

In 2013 I won “The Artist Prize” in the Royal Watercolour Society competition with my painting of Jebel Akhdar, Oman. The prize was a 3 page feature in “The Artist” Magazine where the writer Susie Hodge interviewed me.

I’m regularly asked questions by art students about my working methods and how I started off as an artist so I thought it may be helpful for me to post some of my answers. Here are the first 10 answers.

  1. Although I had seen my father use watercolours and I had always admired Rowland Hilder’s paintings featured in the Artist’s Britain Calendars in the 1970’s it wasn’t until the age of 15 that I first tried them out at school through my art teacher. I immediately fell in love with the way one could achieve different colours by laying one wash on top of another. I enjoyed art at school, particularly when I came second in an art competition at the age of 9. With the prize money I purchased some poster paints which I then used to win first prize in another art competition the following year with a painting of Bamburgh Castle.
  2. There was never really any doubt in my mind that I wanted to become an artist, particularly with my father Ken Reed) being an artist and seeing my grandfather paint too.

    Alan Reed

    Winter Landscape after Rowland Hilder

  3. I left school at 16 and went to art college in Newcastle upon Tyne studying Graphic Design and illustration. At college we were introduced to lots of different mediums. None of the lecturers showed me how to use watercolour though. I recall starting to teach myself one summer holiday by studying Rowland Hilder’s paintings. I showed my efforts to my lecturers the following term and they were very encouraging. Some of them actually bought my paintings. I had my first exhibition as an art student in our local library and sold all 12 paintings exhibited. I started to receive commissions from the exhibition.
  4. A couple of years after leaving college I decided to go self employed as a full time artist at the age of 22 using the Enterprise Allowance Scheme. To be eligible you had to be unemployed for several weeks then open up a business account with £1000 in. The government would then pay you £40 a week for a year. I guess 99% of the businesses would have failed but it was a great help to me. I also did a couple of days part time lecturing in art and design around the North East which was an additional income. I gave up the lecturing around 2004 although I still do 3 or 4 watercolour demonstrations to various art clubs around the North East.
  5. The time I spend on doing a painting varies. If I’m painting “plein air” it will take an hour or two. I might spend a little time in the studio to finish it off if required. Studio paintings will generally take a day to two weeks depending on the size, subject matter and interruptions!

    Alan Reed

    Sketchbook Watercolour of the Arch of Titus

  6. If I’m painting a landscape or cityscape in watercolour I will use a combination of sketchbook studies painted on location and my own photographs. I sometimes have to work off the clients photographs on some commissioned work. If I’m painting a portrait in oils, then I much prefer painting from life over a period of 4-6 sittings rather than photographs.
  7. Choice of scenes will depend on if it’s a commission or for an exhibition. The client will often be guided by my own thoughts and ideas. I usually get an idea straight away of what’s going to work. When painting a landscape or cityscape, I’m wanting the viewer to feel as though they are a part of the scene before them, so creating mood, emotion and atmosphere are very much a part of my design.
  8. I will use artist’s license whenever necessary, sometimes leaving out cars, road signs and certain figures in a cityscape or adding in figures. I’ll often change the sky or add foreground shadows to create drama in a landscape.

    San Gimignano

    San Gimignano, Evening Sunlight

  9. I love to capture the hustle and bustle of city life with interesting architecture, particularly cities like Edinburgh, Bath, Newcastle, Florence and Venice. Coastal scenes like the West Coast of Scotland and Norfolk are also a favourite. I’m enjoying portraiture at the moment too.

10. Capturing mood and atmosphere, the fleeting moment of light striking a building or the first rays of sunlight in a Tuscan landscape really appeals to me.

Also trying to describe someone’s personality and psychology in a portrait is a really enjoyable challenge.

Comments { 0 }

Christmas Exhibition

Alan Reed

Mont Blanc & Manganese Blue

 

Christmas Exhibition starts Saturday 5th November with Fresh Coffee and Mince Pies.

Christmas Exhibition starts Saturday 5th November with Fresh Coffee and Mince Pies.

Click HERE for more information.

 

2016 has been busy and eventful year. It began with my watercolour “Mont Blanc and Manganese Blue” being selected for the Royal Watercolour Society‘s Competition in January. It is a painting inspired by a very memorable trip to Chamonix in the summer of 2015 when I was able to produce a number of sketchbook studies of the stunning scenery. My Mont Blanc painting forms part of this years Christmas Exhibition.

Alan Reed

Last Light, Ruwi, Oman

Much of this year has been spent working on commissions, including another 4 large landscapes for a client in Oman. Two of the commissions were oil paintings of mountain wadis. Continuing on the mountain theme is “Last Light, Ruwi, Oman” a painting which I was shortlisted for “Artist of the Year”. This watercolour is also on show for my Christmas Exhibition.

My connections with Scotland remain as strong as ever so I have several new original paintings on display featuring Edinburgh, Eigg and Rhum, Crail, Pittenweem and North Berwick.

You can also browse through my extensive collection of limited edition prints of Scotland at our Christmas Exhibition.

Italy has also been on our radar throughout 2016. In May and June we took guests out to Umbria for the painting holidays which we organise. We also took day trips to Arezzo and Anghiari in Tuscany so that the guests could have experience in painting these picturesque hill top towns steeped in history. Our week for June 2017 is already fully booked but we are taking expressions of interest for future painting holidays.

We returned in August for another trip where we experienced the tremors of the tragic earthquake which left many dead and homes destroyed. A reminder of the fragility of life.

I’ve also had the good fortune of working on several more painting commissions of Italy including 2 of the Colosseum. See some of my new works of Italy this Christmas Exhibition.

Alan Reed

Theatre Royal in the Rain

Of course, Newcastle and Northumberland features heavily for my Christmas Exhibition so there will be some new works for you to see on the run up to Christmas.

My Christmas Exhibition starts on Saturday 5th November. It runs Tuesday to Saturday 9:30 – 5pm right up until Christmas Eve on the 24th so you will have plenty of time to buy that special present for your loved one.

 

 

 

Comments { 0 }

Sketchbooks

Alan Reed

Sketchbook watercolour of Mont Blanc from Chamonix

I’m often asked “which is my own favourite painting?” It’s a question which I find so difficult to answer. Over the years I’ve painted many different scenes which I’m really pleased with and on so many different levels.

In more recent years I’ve been painting portraits of people, which again, I’ve become attached to. However, if I had to choose examples of my work to ponder over and reflect on, it would have to be my ever growing collection of hand made leather bound sketchbooks that I take with me on our travels.

Alan Reed

Leather Bound Sketchbooks

Although I’ve been painting on location in watercolour “en plein air” for almost 30 years it was not until a painting trip to Umbria, Italy in 2002 that I began to paint “on the spot” in these precious sketchbooks. My wife and I visited the Fabriano Paper Factory in the Marches region and I fell in love with the small leather bound books containing their lovely paper that they were selling in the factory shop. I purchased several.

When we returned to the Relais il Canalicchio where we were staying I tentatively decided to put brush to paper and painted the view out of our window. You can see my first watercolour of an Umbrian sunset in the image below.

Sketchbook watercolour

View from the Relais il Canalicchio

Unusually for me, I decided not to do any preparatory pencil drawing, choosing to “draw” with the brush, painting directly onto the beautifully textured paper. It’s a discipline that I’ve continued with ever since. It’s not something that I would advocate for a beginner if I was teaching them on our painting holidays in Italy but it is a discipline that a more experienced water-colourist would find both challenging and rewarding.

Alan Reed

Sketchbook watercolour of Aiguille du Midi

When we took our daughter and grandchildren to Chamonix in France in July 2015 and the grandchildren watched me paint Aiguille du Midi (above) and Mont Blanc, the value of my sketchbooks became apparent, even to the grandchildren. They could see how I was recording in paint some of the special aspects of our holiday in a way that photography cannot. They even started asking me if they could have certain sketchbooks when I die!

I now have an ever growing collection of sketchbooks which document our travels to countries like Italy, Oman, Kuwait, USA and of course throughout the UK. I’ve even started to make them myself which is even more rewarding.

The guests on our painting holidays to Italy are encouraged to paint both on watercolour blocks or pads of watercolour paper but also in sketchbooks so that they too can have a record of their travels.

If you would like to find out more about working in sketchbooks “en plein air” or coming on a reedart painting holiday then please contact me.

Comments { 1 }

Artists and Illustrators

Last Light, Ruwi, Oman Painting

Last Light, Ruwi, Oman

On Friday I received a phone call from Artists and Illustrators Magazine to say that I’d been shortlisted as one of 50 artists for their competition “Artist of the Year 2014” with my original watercolour “Last Light, Ruwi, Oman”. I was delighted with the news as there were over 3,000 entries.

The winner will be announced in the December issue of the magazine which comes out on the 7th November. There will be an exhibition at the Mall Galleries in London 6th-17th January of the shortlisted entries.

My studio watercolour of Ruwi in Oman is the result of spending many hours making sketchbook studies on location in Oman. I’ve often risen when it was still dark to make sure I was in the right spot to capture the early morning light, however on this occasion it was a case of being in the right place to record the last throws of the middle eastern sunlight catching the distant hills.

The district of Ruwi can be seen nestling in the surrounding foothills with its white architecture coated in cool shadows. I’ve used a limited palate of Winsor and Newton watercolours on a very rough handmade paper to create a distinct contrast between the dark purple, craggy hills and the lighter crisp edges of the buildings.

I’ve now been painting scenes of Oman for 8 years for various clients in Oman. In 2013 I was thrilled to receive “The Artists prize” for the Royal Watercolour Society Competition from The Artists Magazine. My winning painting on that occasion was Jebel Akhdar, Oman which is currently on view at my Studio & Gallery in Ponteland.

 

Comments { 0 }

The Art Tour

Logo for Art Tour 2014

The Art Tour 2014

Network Artist Alan Reed Studio

Artist Alan Reed in Studio

Selection of Alan Reed Sketchbooks

Sketchbooks painted on location

The Network Artists North East annual Art Tour begins this weekend.

This ever popular event, now in its 19th year, gives you the opportunity to meet artists from around the North East who are opening up their studios for The Art Tour.

This year I’ve decided to display many of my sketchbooks which contain numerous watercolours painted on location. These “en plein air” studies document my travels to all kinds of paintable places including the UK, Italy, the USA and Oman.

Customers will be able to browse through the sketchbooks and can commission a painting based on one of these studies.

Also on display will be a selection of original paintings and limited edition prints.

Paintings include views of  Northumberland and Newcastle throughout the seasons. I’ll also have on display some of the watercolours painted in Arches Watercolour Blocks on location from the recent painting holiday in Umbria, Italy.

For those folk interested in the Middle East, there will be paintings and prints of Oman and some copies of my limited edition Sketchbook of Oman.

I’m currently working on a number of portraits in oil paints on aluminium for City Church Newcastle, to hang in the atrium of The CastleGate so some of these paintings will be on display. As part of the Art Tour I will be showing the painting process involved in painting on aluminium, from priming the metal through to tinting the oil paint base.

The Studio and Gallery is near Dobbies Garden Centre on the A696 on the way into Ponteland.

Apart from The Art Tour we are usually open Tuesday-Saturday 9:30-5pm.

One of the links on this post is an affiliate link to a product which I personally use, available from Amazon. If you click on the link and buy this product then I will receive a small percentage of the sale from Amazon at no extra cost to yourself. 

Comments { 0 }

Paintings of Oman

Last Light, Ruwi, Oman Painting

Last Light, Ruwi, Oman

This studio watercolour of Ruwi in Oman is the result of spending many hours making sketchbook studies on location in Oman. I’ve often risen when it was still dark to make sure I was in the right spot to capture the early morning light, however on this occasion it was a case of being in the right place to record the last throws of the middle eastern sunlight catching the distant hills.

The district of Ruwi can be seen nestling in the surrounding foothills with its white architecture coated in cool shadows. I’ve used a limited palate of Winsor and Newton watercolours on a very rough handmade paper to create a distinct contrast between the dark purple, craggy hills and the lighter crisp edges of the buildings.

The links on this post are affiliate links to products which I personally use. If you click on the links and buy any of these products then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

This original watercolour and other paintings of Oman inspired by my painting trips in the Gulf can be seen at my Studio & Gallery in Ponteland.

Comments { 3 }

Christmas Exhibition 2013

Painting of Dunstanburgh Castle-Spring

Dunstanburgh Castle, Spring

Painting of Windmills, Amsterdam

Windmills, Amsterdam

Royal Opera House, Oman at night

Royal Opera House, Oman

Painting of Qantab fishermen, Oman

Qantab fishermen, Oman

Pantheon Rome

The Pantheon, Rome

Painting of Florence from San Miniato

Florence from San Miniato

My Christmas Exhibition Preview weekend started 29th November. The exhibition continues until 24th December and is a collection of recent original watercolour paintings.

Subjects include the Northumbrian coastline depicting famous landmarks like Dunstanburgh Castle.

Paintings inspired by a trip to Amsterdam can also be seen, in particular this new limited edition print of Windmills seen in early morning light.

Over the last few weeks I have been working on a couple of commissions for a client in Oman, so I also have on view an original watercolour of The Royal Opera House in Oman at night and a small study of fishermen in Qantab, Oman.

I’ve been unable to travel to Italy this year, however the last 2 places for our painting holiday scheduled for May 2014 were booked up over the weekend.

A number of paintings of Italy can be seen including The Pantheon, Rome and Florence from San Miniato.

The exhibition also features gifts for Christmas including Christmas Cards, Magnetic Bookmarks and hand made glass, along with my Sketchbook of Oman, all of which are being purchased. Please feel free to call in over the weekend for a glass of wine or coffee and a mince pie.

Comments { 0 }

Royal Watercolour Society

Painting of Jebel Akhdar, Oman

Original Watercolour of Jebel Akhdar, Oman

I was delighted to discover that my painting of “Jebel Akhdar, Oman” was recently selected by the Royal Watercolour Society for their Competition 2013 and even more thrilled that it won “The Artist’s Prize”. The Artist’s Magazine has asked me to be one of their featured artists later on in the year when I will be answering questions about my painting career.

The painting formed part of the Royal Watercolour Society competition exhibition at the Bankside gallery, London and will be on display at my Studio and Gallery in Ponteland from noon on 9th March.

Comments { 0 }

A History of Art in Three Colours

Sur, Oman, famous for Dhow Building

Sur, Oman

I’ve been watching with some interest “A History of Art in Three Colours” on BBC 4 on Saturday evenings. The first episode, narrated by Dr James Fox, looked at the way gold has been used in art over the centuries. Last Saturday it was the turn of the colour Blue.

The programme began on the Venetian Lagoon and told the story of how the precious stone Lapis Lazuli was brought 3500 miles across the Mediterranean from a land that is now Afghanistan, to the edge of Europe. The Lapis Lazuli was ground to dust and the precious powder was then purified into a pigment which could be painted with. The colour blue was to transform the world of art.

It’s a colour which I’ve used extensively throughout my 32 years as an artist but none more so in the last 5 years when I have been painting on location in Oman. In 2007 I visited Sur for the first time, a coastal town renowned for its building of dhows. From that trip I produced this small original watercolour which I’ve reproduced as a limited edition print. I remember the day as being incredibly hot and the sky being a very intense blue as I sketched the dhows not far from the  spot where I’ve painted the old watch tower in the painting above.

Comments { 0 }

Christmas Exhibition

Grey Street, Snow Shower limited edition print

Grey Street, Snow Shower

My Christmas Exhibition Preview weekend 9-11th November was very well attended with plenty of sales. Star of the show was “Grey Street, Snow Shower” which received a good number of print orders. Despite the rising cost of stamps, there were still plenty of folk buying my new Christmas cards too.

My new range of Magnetic Bookmarks also proved to be popular, with customers buying them as stocking fillers. Images include scenes of Newcastle, Italy, Bath and Oman.

Locally produced hand made glass was another hit as well. The exhibition continues at my Studio & Gallery in Ponteland, Tuesday-Saturday 9:30-5pm until Christmas Eve so there’s still plenty of time to pop in for a browse and a cup of fresh coffee.

Comments { 0 }