Tag Archives: Fabriano Paper

Painting an Olive Tree

Painting an Olive Tree

Sketchbook Watercolour Painted in Umbria

One of the subjects I often get our guests on our Painting Holidays to have a go at is Painting an Olive Tree.

The grounds of Chiesa del Carmine are full of them. They are not too difficult to draw compared to other subjects so it’s relatively easy for the guests to spend a couple hours sketching to come up with a result they are pleased with.

On our last Painting Holiday in June this year I made a video of me Painting an Olive Tree. It was a small sketchbook watercolour painted in one of the leather bound sketchbooks that I’ve made containing some quite heavily textured watercolour paper.

Over the years I’ve often worked my sketchbook watercolours of olive trees into larger Studio paintings, making sure that I retain the spontaneity of the original study.

My interest in olive trees began when we first visited Umbria, Italy in 2002. I’d purchased some delightful leather bound sketchbooks from the Fabriano Paper Factory in the Marche region of Italy. I couldn’t wait to christen them with some watercolours and began by painting various scenes around the hotel we were staying. This was the start of a new creative process for me, painting directly with a brush onto hand made watercolour paper with no preparatory drawing in pencil.  Of course I’d painted on location in watercolour many times before, but it had always been on watercolour blocks. Also this was the first time I had not drawn out the scene before hand in pencil. I now have numerous leather-bound sketchbooks containing a wonderful record of our travels both here in the UK and overseas.

Throughout the months of July and August I am displaying my sketchbooks at our Studio and Gallery in Ponteland. Recently a couple of our guests who had been on two Painting Holidays with us, commissioned a watercolour inspired by one of my sketchbook studies. The subject was Perugia, one of the places we had taken them to. They wanted a painting to remind them of the lovely holidays they had been on. They have also re-booked for 2019 which means that our week in June 2019 is fully booked.

Please feel free to visit our gallery to look through my sketchbooks to see if there is something I’ve painted that reminds you of that special place that you have fond memories of. Best to telephone 01661 871 800 first to make sure we’re open.

 

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Sketchbooks

Alan Reed

Sketchbook watercolour of Mont Blanc from Chamonix

I’m often asked “which is my own favourite painting?” It’s a question which I find so difficult to answer. Over the years I’ve painted many different scenes which I’m really pleased with and on so many different levels.

In more recent years I’ve been painting portraits of people, which again, I’ve become attached to. However, if I had to choose examples of my work to ponder over and reflect on, it would have to be my ever growing collection of hand made leather bound sketchbooks that I take with me on our travels.

Alan Reed

Leather Bound Sketchbooks

Although I’ve been painting on location in watercolour “en plein air” for almost 30 years it was not until a painting trip to Umbria, Italy in 2002 that I began to paint “on the spot” in these precious sketchbooks. My wife and I visited the Fabriano Paper Factory in the Marches region and I fell in love with the small leather bound books containing their lovely paper that they were selling in the factory shop. I purchased several.

When we returned to the Relais il Canalicchio where we were staying I tentatively decided to put brush to paper and painted the view out of our window. You can see my first watercolour of an Umbrian sunset in the image below.

Sketchbook watercolour

View from the Relais il Canalicchio

Unusually for me, I decided not to do any preparatory pencil drawing, choosing to “draw” with the brush, painting directly onto the beautifully textured paper. It’s a discipline that I’ve continued with ever since. It’s not something that I would advocate for a beginner if I was teaching them on our painting holidays in Italy but it is a discipline that a more experienced water-colourist would find both challenging and rewarding.

Alan Reed

Sketchbook watercolour of Aiguille du Midi

When we took our daughter and grandchildren to Chamonix in France in July 2015 and the grandchildren watched me paint Aiguille du Midi (above) and Mont Blanc, the value of my sketchbooks became apparent, even to the grandchildren. They could see how I was recording in paint some of the special aspects of our holiday in a way that photography cannot. They even started asking me if they could have certain sketchbooks when I die!

I now have an ever growing collection of sketchbooks which document our travels to countries like Italy, Oman, Kuwait, USA and of course throughout the UK. I’ve even started to make them myself which is even more rewarding.

The guests on our painting holidays to Italy are encouraged to paint both on watercolour blocks or pads of watercolour paper but also in sketchbooks so that they too can have a record of their travels.

If you would like to find out more about working in sketchbooks “en plein air” or coming on a reedart painting holiday then please contact me.

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