Tag Archives: Angel of the North

Tyne Bridge Painting

Alan Reed

Oil Painting of the Tyne Bridge

In 2017 I received a commission to do a very large oil painting of the Angel of the North which you can read about in an earlier blog post.  The Angel’s wings were coated with 22 carat gold leaf.

My client loves his painting of the Gateshead Angel and once I’d hung it for him we discussed a second commission to go alongside, this time a Tyne Bridge Painting.

After bringing the Tyne Bridge Painting close to completion I decided to add a little extra gold leaf and make a short video of the process which you can see on YouTube. First I applied some liquid size for the gold leaf to adhere to. The next stage is to place the gold leaf over the size once it’s gone off and it sticks straight away. As you can see in the video it also sticks where you don’t want it! I just have to carefully lift it off and put it where I want it to go.

Then with the backing paper over the gold leaf I can rub it down so that the bond becomes more secure.

As you will see, the video of the Tyne Bridge Painting is showing some of the smaller details of the painting process.

This is not the actual finished painting commission, it’s actually a much smaller preparation oil painting on canvas board 30″ x 20″.

The reason for doing a smaller preparation painting first is to make sure that everything is going to work out in terms of colour, composition and of course where on the painting to apply the gold leaf.

The Tyne Bridge Painting can be seen at my Studio & Gallery in Ponteland and online at www.alanreed.com.

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20th Birthday for the Angel

Alan Reed

Angel Print Hand Embellished with Gold Leaf

The 17th February 2018 marks the 20th Birthday for the Angel. Created by Anthony Gormley, the “Gateshead Angel” or “The Angel of the North” has become an icon for the North East, often featured on television when a reference for the region is needed.

Opinions are divided about the Angel but I’m in the camp of those who are in favour of this huge sculpture that welcomes those travelling on the A1 to the north.

I recall painting the Angel for the first time back in the spring of 1998 after visiting it on a very wet and muddy day. The site looked like a scene from the First World War with broken fence posts, large puddles and JCB tracks leading up to the dark, almost forbidding sculpture, silhouetted against the bleak sky.

Angel of the North

The Week the Angel Went Up

The scene is now quite different as we are nearing the 20th Birthday for the Angel. The surrounding area has been landscaped and there is a handy car park for visitors.

Since 1998 I’ve painted the Angel on several other occasions at various times of the day, however 2017 saw me receiving one of my largest commissions to date. An exiled Geordie asked me to paint the Angel in oil paint with its wings filling the canvas, coated with 22 carat gold leaf. The result was one of my most dramatic paintings, the Angel standing proudly against a blood red sunset.

We’ve published the painting of the Angel as a limited edition print. Some of the prints are on paper and some are on canvas where I have hand embellished the wings with the same Gold Leaf used on the original oil painting. These hand embellished prints of the Angel also have areas that have been hand painted with oils making them original prints.

I’ve made a short video on YouTube of me applying the Gold Leaf to the wings of the Angel using the same method as on the prints so you can see the process.

You can see all my prints of the Gateshead Angel online at alanreed.com or by visiting our Studio & Gallery in Ponteland.

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Painting of the Angel

Alan Reed

Angel Sunrise

In a previous blog post I described a recent painting commission where I was asked to do an oil Painting of the Angel of the North. As part of the project I decided to do a smaller study to try out some ideas with colours and cloud shapes.

This new Painting of the Angel can now be seen at our Studio & Gallery in Ponteland. As you will see, it is quite different from the larger commission and different in style from all my other paintings. The wings are made up of 22 carat gold leaf. This can cause the painting to look quite different depending on the lighting conditions of the room, whether the room is in natural light or gentle artificial light.

Whilst doing this painting I’ve been asked several times how to paint a straight line. The answer is quite simple, I use a ruler. The find out how you can watch a short video.

On this particular Painting of the Angel I decided to add a solitary figure to provide a sense of scale and heightened drama to the scene.

Although it wasn’t deliberate on my part, these recent works of the Gateshead Angel have reminded me of the stunning painting of the Destruction of Sodom and Gomorrah by north east painter John Martin which can be seen at the Laing Art Gallery in Newcastle. If you are in Newcastle and you have some spare time, the Laing Art Gallery is well worth a visit.

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Painting of the Angel

Alan Reed

The Angel of the North in Progress

Earlier this year I received a request to do an oil Painting of the Angel of the North. Although I have painted several paintings of the Angel since it was first erected in April 1998 the client had very specific ideas about the size, colours and view point which were completely different from my other paintings of the Angel.

All my previous works of the Angel had been in watercolour so I was excited about tackling it in oils. I suggested to the client that the painting could have more visual impact with some gold leaf on the wings. Over the years I’ve painted a number of different subjects using gold leaf and the effects can be pretty amazing. A more recent example is the scene below of Buckingham Palace from Green Park.

Oil Painting by Alan Reed

Original Fine Art Painting of Buckingham Palace from Green Park painted in oils on Gold Leaf.

I made several trips to see the Angel to get fresh reference and to remind myself just how iconic the Angel has become.

I’m always observing interesting skies and whenever possible I’ll either paint them on the spot or photograph them. In the case of sunrises and sunsets, they are more challenging to paint on location because the colours change so quickly. I searched through my library of photos and found a suitable sky for inspiration.

Alan Reed

Sunset Sky

Producing a Painting of the Angel with gold leaf involved some experimentation with the base colour of the wings so that the gold leaf had maximum impact. I decided that using the same red as the sky would work best. It would provide the right visual connection between the sky and the Angel.

Adding gold leaf demands patience and care but it’s very satisfying when you see the finished result. It’s even more satisfying when the client sees the painting for the first time and loves it!

I’ve had the Painting of the Angel hanging in our kitchen for the last few days. It’s great to see the effects of gold leaf at various times of the day under different lighting conditions. It’s a painting which is quite different from anything else I’ve painted.

I’ve now published this painting of the Angel as a  limited edition giclee print, available on paper and also hand embellished with gold leaf.

A smaller oil painting of the Angel from a different angle is now complete and is available to view at our Studio and Gallery in Ponteland.

Alan Reed

Painting of the Angel

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Angel Christmas Card

Angel Christmas Card

Angel, Snow Sunset Christmas Card

Many years ago I did an Angel Christmas Card to help raise money for a local charity. Earlier this year I was approached by the charity The Cyrenians based in Newcastle who work with vulnerable, disadvantaged and homeless people. Sian Thomas, their marketing administrator, asked if they could use some of my paintings as Christmas Cards to help raise money for the charity which has been going for over 40 years.

Over the last 20 years or more, I know that the paintings I have done have raised thousands of pounds through being reproduced as Christmas cards, in particular for the Marie Curie cancer care, so I was more than happy to oblige.

We’ve decided to do three paintings of Newcastle, the first of which is a classic scene of the Theatre Royal in the Snow which was a sell out limited edition print. I’ve painted a similar view recently which I reproduced as a limited edition print titled Grey Street, Snow Shower.

The second card is this one of The Angel of the North depicted against the backdrop of a winter sunset, the colours of the sky being reflected in the snow. The two figures at the feet of the Angel help to create a sense of scale.

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Angel of the North

Angel of the North

The Week the Angel Went Up

Most folk have strong opinions about the Angel of the North, they either love it or hate it. Personally, I like it, as it’s always a reminder that I’m not too far from home if I’ve been travelling from the South.

One of my favourite paintings of the Angel is based on studies I made during the week the angel was erected. There had been heavy rain, the skies were overcast and the whole area was like a scene from World War 1 with the mud, the foreground pond and broken palettes  lying about.

The view I’ve taken places a stronger emphasis on the more attractive lines of the body than the rather slab sided wings and the figure standing at its feet provides a sense of scale and drama. The overall mood is heightened by the dark, threatening sky.

I’ve also painted a similar version which is available as a limited edition print.

This painting forms part of my Christmas Exhibition at my Studio & Gallery in Ponteland which continues until the 24th December, open Tuesday-Saturday 9:30-5pm.

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