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Gullane Gallery

Alan Reed

Crail, Coming Home

For the last three years I’ve been exhibiting my paintings at the Gullane Gallery, East Lothian. I’ve been invited again to show a selection of new works as part of their easter exhibition starting 12th March.

For over 20 years I’ve enjoyed painting in Scotland so for this exhibition I decided to revisit some of the fishing villages that I’ve painted in the past along the East Neuk of Fife. The weather has been dreadful over the winter months which hindered my plans right up until early February when I was finally able to travel with the promise of sunny weather.

I managed to visit three of the fishing villages which I have painted before and have published as limited edition prints, Pittenweem, Anstruther and Crail.

Even though it was sunny, it was still very cold but I was still able to do a sketchbook watercolour at each one of the harbours. The one of Crail was painted from a high vantage point looking into the low winter sun.

Alan Reed

Sketchbook Watercolour of Crail

For the larger studio painting I tried to keep the palette as simple as the sketch and the brush marks as lively, however I couldn’t resist adding some of the details found in the nearby buildings which overlook the picturesque harbour.

The exhibition at the Gullane Gallery will also feature another painting of Crail as well as paintings of Pittenweem, North Berwick and Edinburgh. The exhibition continues until 3rd April 2016.

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Mont Blanc and Manganese Blue

Alan Reed

Mont Blanc & Manganese Blue

On 29th January I was notified that my new watercolour titled Mont Blanc and Manganese Blue had been selected Royal Watercolour Society Contemporary Watercolour Competition 2016. It’s the second time one of my paintings has been chosen. In 2013 my painting “Jebel Akhdar, Oman” won the Artists Prize in the same competition. It’s very difficult to do justice to the grandeur and majesty of a mountain range in a small watercolour painting, however when you are actually up a mountain with a box of paints and a sketchbook you have to give it a try.

Such an occasion arose in July 2015 when Susan and I took our daughter and her children to Chamonix in France. We bought passes for the cable cars in the region and went up Aiguille du Midi which overlooks Mont Blanc. I did a sketchbook watercolour which was the inspiration for a studio painting “View from Aiguille du Midi”. This is currently on view at my Studio and Gallery in Ponteland. We were so taken by the stunning views that my daughter and I returned again, very early morning. I did a second sketchbook study which became the catalyst for “Mont Blanc and Manganese Blue”.

Alan Reed

My Sketchbook Watercolour of Mont Blanc from Aiguille du Midi

The clarity of colour and crispness of light meant that when painting the sketch, I had to strip back my palette to basic colours. I used the white of the paper to indicate the snow on Mont Blanc and neat Manganese Blue (with a touch of French Ultramarine) for the sky. I added the smallest amount of purple for some of the shadow areas and Raw Sienna and Vandyke Brown for the dark foreground rocks. When it came to painting the studio work I made sure I maintained the simplicity of the sketchbook watercolour, even laying it over the larger original whilst it was in progress to ensure I wasn’t making it too tight.

Alan Reed

Mont Blanc and Manganese Blue original and sketchbook

The title of this painting comes partly from using the lovely colour “Manganese Blue” produced by Winsor and Newton which I have been using since the late 1980’s. It’s a brighter blue than Cerulean which I personally find a little flat in comparison. When used in conduction with French Ultramarine and Winsor Blue, you can achieve some beautiful deep blue skies.

My painting “Mont Blanc and Manganese Blue” goes on show at the Bankside Gallery, London Friday 4th – Wednesday 16th March 11am – 6pm and will be available to purchase from the exhibition.

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Sketchbook Painting

Sketchbook watercolour

View from the Relais il Canalicchio

Our first trip to to the region Umbria in Italy was in the spring of 2002. We stayed at the Relais il Canalicchio which boasts commanding views over the Umbrian countryside. In fact the owners of the hotel commissioned me to do a painting of the Relais which is available as a limited edition print.

On one of our trips out to explore the region we ventured further afield and visited the Fabriano paper factory in Le Marche. I couldn’t resist purchasing several leather bound sketchbooks containing their beautiful hand made paper. It’s a delight to paint on.  You initially feel a little scared to paint in these books in case you mess up!

I did pluck up the courage though and one evening I painted the view from out window, a simple composition of a small farm building silhouetted against the warmth of the spring evening light.

These are the kind of subjects that I would be encouraging guests on our painting holidays in Italy to paint. I would be leading by example but also overseeing their work, deciding on the right composition, advising on choice of colours, sequence of washes and of course making sure that they don’t spoil the painting by overworking it.

Nowadays there are some excellent sketchbooks available in the UK and online containing good quality paper to paint on. I also recommend the Arches watercolour blocks for slightly larger paintings. A 14″ x 10″ or 12″ x 9″ containing rough paper which is small enough to pop into a bag with the rest of your painting gear.

I usually have a range of materials available from my Studio & Gallery in Ponteland, Northumberland. To find out more about our painting holidays in Italy visit reedartholidays.com

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Painting Holiday, Italy

Watercolour Sketch

Sketchbook Watercolour of Perugia

There are still a few places available for our Painting Holiday, Italy May 2015. This year we’ve booked the luxurious 5* Chiesa del Carmine set in a picturesque valley in Umbria.

Susan and I first stayed in this stunning valley at  Casa San Gabriel  (which boasts commanding views looking towards Assisi) back in 2004. The owners, David and Chrissie, commissioned me to do a painting of their properties which had been lovingly restored into holiday homes. We enjoyed ourselves so much that we’ve kept coming back ever since!

The dates for this Painting Holiday, Italy are 9th-16th May 2015. Six of the guests from last year have re-booked and this is what one couple had to say about the trip.

“My wife and I decided to go on a painting and sketching holiday last year organized by Alan Reed.

The location was in the Italian region of Umbria. Our expectations were high but were far exceeded by the actual experience.

A combination of beautiful scenery, superb accommodation and professional guidance made it an unforgettable event”.

Thank you Alan. Léon and Linda.

Susan and I will be taking guests out to some of the nearby towns and villages so that the painters can learn how to paint “en plein air”. I’ll be leading by example through my sketchbook watercolours and larger studies painted on Arches Watercolour Blocks.

I’ll also be showing the benefit of sketching in moleskine sketchbooks to improve ones drawing techniques.

Non painting guests will be able to explore the places we visit knowing that Susan will be on hand to translate any Italian if required. There will also be time to chill out in the beautiful grounds of Chiesa del Carmine or go for relaxing walks in the valley. Included in the price is the accommodation, breakfasts and evening meals.

To find out more, please contact Susan or myself.

Some of the links on this post are affiliate links to products which I personally use, available from Amazon. If you click on either of the links and buy the product then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

 

 

 

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Bomber Command Memorial

Charcoal Sketch in Moleskine Sketchbook

Charcoal Sketch of Bomber Command Memorial

I went to see a couple of fine Edward Seago exhibitions in London recently. More on that later. Whilst on my travels around the city I decided to have a look at the Bomber Command Memorial in Green Park.

It commemorates the aircrews of RAF Bomber Command who embarked on missions during the Second World War. The Bomber Command Memorial was built to mark the sacrifice of 55,573 aircrew from Britain, Canada, Czechoslovakia, Poland and other countries of the Commonwealth as well as civilians of all nations killed during the air raids. Her Majesty Queen Elizabeth officially opened the memorial on 28 June 2012.

On arrival I was immediately impressed by the scale of the 7 crew members depicted in the memorial and the detail of the flying uniform rendered in the sculpture. Many of the larger bombers like the Lancaster had a crew of 7 so it was only fitting to show a full crew.

I began by doing an A5 sketchbook watercolour. Whilst I was painting it, a retired pilot came alongside to watch me paint. It turned out that his father used to fly Lancaster Bombers during the war.

The Bomber Command Memorial has been designed in such a way that one cannot see all the crew members at once. You have to move about to see them all. I suppose that it could signify that the crew members were spread about the aircraft from the nose to the tail of the plane.

I decided to return to the Memorial the following day when I produced another watercolour sketch and a couple of charcoal pencil drawings in my Moleskine Sketchbook. One of the figures reminded me of my Great Uncle Ronnie who was a flight engineer on Lancaster Bombers.

Many of my sketchbook studies can be seen at my Studio & Gallery in Ponteland as part of the Art Tour 2014.

One of the links on this post is an affiliate link to a Moleskine sketchbook, a product which I personally use, available from Amazon. If you click on the link and buy this product then I will receive a small percentage of the sale from Amazon at no extra cost to yourself. 

 

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Painting Holidays in Italy

Sketchbook Watercolour of Chiesa del Carmine

Sketchbook Watercolour of Chiesa del Carmine

Chiesa del Carmine

Watercolour Painting of Chiesa del Carmine

Painting Holidays in Italy are becoming increasingly popular. Following the success of our painting holiday in Umbria in May 2014 at Villa Capanne we have now booked up a slightly larger 5 * luxury accommodation for 9th-16th May 2015 which sleeps 14 guests, Chiesa del Carmine.

I first stumbled upon this building back in 2004 when it was a derelict church in ruins. Most of the ground floor was buried underground and the roof had collapsed. The bell tower was intact. Although in a sorry state, it was still very paintable so I did a little sketchbook watercolour which you can see above.

During our last Painting Holiday in Italy we were able to see Chiesa del Carmine in its restored state. All our guests were suitable impressed with the very high standard of restoration. The church has its own kitchen, dinning room and reception room which has a grand piano. One of our guests treated us to a wonderful rendition of “Somewhere over the Rainbow” which was a delight.

Six of our previous guests have already booked up for May 2015. There are currently 4 more places available.

I returned a few days later with one of the painting guests so that we could do a watercolour each of the Chiesa del Carmine from a nearby vineyard which you can see above, painted on an Arches Watercolour Block.

There are lots of other amazing views to paint within a short walking distance of the church which will be a joy to anyone who loves to paint “en plein air”.

You can see a recent newsletter about the May 2015 Painting Holidays in Italy by clicking on the link. Should you be interested in finding out more then please email alan@alanreed.com or telephone 01661 871 800.

One of the links on this post is an affiliate link to a product which I personally use, available from Amazon. If you click on the link and buy this product then I will receive a small percentage of the sale from Amazon at no extra cost to yourself. 

 

 

 

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Painting Holiday in Italy

Painting of Olive Trees on Location

Watercolour of Olive Trees, Villa Capanne

Painting in Italy

Alan giving an informal and positive critique of guests paintings carried out throughout the week.

We’ve just returned from a weeks Painting Holiday in Italy where we took 10 guests to stay at the luxury accommodation Villa Capanne in northern Umbria.

Whilst five of the guests were producing paintings of Italy, the others were happy to enjoy the visits to nearby towns such as Cortona, Assisi, Spello and Perugia and of course to sample the local food and wine. One of the guests enjoyed several rounds of golf at the Antognolla championship course.

To help the students with their painting “en plein air” I like to lead by example, so I did a number of watercolours in my leather-bound sketchbook and on Arches Watercolour Blocks.

Above is one of several watercolours I painted of the olive trees that grace the gardens of Villa Capanne.

At the end of the week I gave an informal and relaxed critique of the guests work carried out throughout the week.

The whole trip was such a success that we have planned a second painting holiday in Italy for 9th  – 16th May 2015.

“Thanks to Alan & Susan Reed for an amazing week’s painting holiday in Italy. Food, scenery, everything exceeded expectations! 5* would not do the week justice!! Made some lovely new friends! Thoroughly recommend it when they do their next one – but be warned – Alan can be a hard task master (in our own interest!!)”.

Mr A. Rapley

 

One of the links on this post is an affiliate link to a product which I personally use, available from Amazon. If you click on the link and buy this product then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

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Hareshaw Linn

Hareshaw Linn, Bellingham

Hareshaw Linn Waterfall

Hareshaw Linn, Bellingham

Sketchbook Study of Hareshaw Linn

Hareshaw Linn painting

14″ x 10″ watercolour of Hareshaw Linn

In April I was asked to do a watercolour demonstration for a painting/writing club who were having a weekend away together in Bellingham. On the Saturday I went out with the group to paint various scenes of the local area. I’d read about Hareshaw Linn in the hotel guide book so I decided to make it my first port of call.

I decided to do several watercolour studies of the waterfall at Hareshaw Linn which is about 2 miles walk outside of Bellingham. The walk is lovely and the waterfall quite spectacular, especially after the heavy rain we’d had the night before. In total I did two sketchbook studies and two watercolours on Arches blocks.

You can see in the first photograph my improvised studio (a moss covered rock) which gave me a standing position to paint from. The second photograph is my sketchbook. The third is my larger watercolour painted on the Arches Block. By the time I’d finished there was no time to start on anything else!

All the paintings were made without any preliminary pencil work which enabled me to paint very directly onto the paper with a size 20 brush. The paintings can be seen at my Studio & Gallery in Ponteland.

Since this weekend  away I’ve painted a larger watercolour of Hareshaw Linn using the studies made on location. I’ve kept the palette the same and tried to avoid getting into complicated detail, maintaining the freshness of the “en plein air” watercolours.

 

 

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Temple of Aphaea – A Daily Sketch

Watercolour of Temple of Aphaea, Aegina

Temple of Aphaea, Aegina

In 1999 we had a week on the Greek Island of Aegina. Whilst exploring the island I came across the ruined Temple of Aphaea and made some studies.

Last weekend I was doing a watercolour demonstration for a local art club. As part of my demonstration, I started a small watercolour on a 14″ x 10″ Arches watercolour block based on the reference I gathered on that trip.

Notice also the smaller study made in the moleskine sketchbook that was painted directly onto the paper without any pencil preparation.

Some of the links on this post are affiliate links to products which I personally use available from Amazon. If you click on the links and buy any of these products then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

 

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Paintings of Olive Trees

Sketchbook Study of Olive Trees in Italy

Sketchbook Study of Olive Trees

I love doing paintings of olive trees. Several years ago I was commissioned to paint a client’s property in Italy.

As part of the research for the commission, I made some studies in my leather-bound sketchbook of the olive grove that surrounded their house in Umbria.

It was a friends 60th birthday recently so I painted her a handmade card of the scene based on the location watercolour, another opportunity to do some paintings of olive trees! She was so thrilled with her card that she had it framed to add it to her collection of Alan Reed Art.

To find out more about commissioning handmade cards of special places for a loved one go to the commissions page on my website.

More paintings of Olive Trees and paintings of Italy can be seen on alanreed.com and at my Studio & Gallery in Ponteland, Northumberland.

If you would like to have a go at painting olive trees, why not book a painting holiday in Italy through Alan Reed Art and I can give you some tuition.

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