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Gullane Gallery

Alan Reed

Crail, Coming Home

For the last three years I’ve been exhibiting my paintings at the Gullane Gallery, East Lothian. I’ve been invited again to show a selection of new works as part of their easter exhibition starting 12th March.

For over 20 years I’ve enjoyed painting in Scotland so for this exhibition I decided to revisit some of the fishing villages that I’ve painted in the past along the East Neuk of Fife. The weather has been dreadful over the winter months which hindered my plans right up until early February when I was finally able to travel with the promise of sunny weather.

I managed to visit three of the fishing villages which I have painted before and have published as limited edition prints, Pittenweem, Anstruther and Crail.

Even though it was sunny, it was still very cold but I was still able to do a sketchbook watercolour at each one of the harbours. The one of Crail was painted from a high vantage point looking into the low winter sun.

Alan Reed

Sketchbook Watercolour of Crail

For the larger studio painting I tried to keep the palette as simple as the sketch and the brush marks as lively, however I couldn’t resist adding some of the details found in the nearby buildings which overlook the picturesque harbour.

The exhibition at the Gullane Gallery will also feature another painting of Crail as well as paintings of Pittenweem, North Berwick and Edinburgh. The exhibition continues until 3rd April 2016.

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Mont Blanc and Manganese Blue

Alan Reed

Mont Blanc & Manganese Blue

On 29th January I was notified that my new watercolour titled Mont Blanc and Manganese Blue had been selected Royal Watercolour Society Contemporary Watercolour Competition 2016. It’s the second time one of my paintings has been chosen. In 2013 my painting “Jebel Akhdar, Oman” won the Artists Prize in the same competition. It’s very difficult to do justice to the grandeur and majesty of a mountain range in a small watercolour painting, however when you are actually up a mountain with a box of paints and a sketchbook you have to give it a try.

Such an occasion arose in July 2015 when Susan and I took our daughter and her children to Chamonix in France. We bought passes for the cable cars in the region and went up Aiguille du Midi which overlooks Mont Blanc. I did a sketchbook watercolour which was the inspiration for a studio painting “View from Aiguille du Midi”. This is currently on view at my Studio and Gallery in Ponteland. We were so taken by the stunning views that my daughter and I returned again, very early morning. I did a second sketchbook study which became the catalyst for “Mont Blanc and Manganese Blue”.

Alan Reed

My Sketchbook Watercolour of Mont Blanc from Aiguille du Midi

The clarity of colour and crispness of light meant that when painting the sketch, I had to strip back my palette to basic colours. I used the white of the paper to indicate the snow on Mont Blanc and neat Manganese Blue (with a touch of French Ultramarine) for the sky. I added the smallest amount of purple for some of the shadow areas and Raw Sienna and Vandyke Brown for the dark foreground rocks. When it came to painting the studio work I made sure I maintained the simplicity of the sketchbook watercolour, even laying it over the larger original whilst it was in progress to ensure I wasn’t making it too tight.

Alan Reed

Mont Blanc and Manganese Blue original and sketchbook

The title of this painting comes partly from using the lovely colour “Manganese Blue” produced by Winsor and Newton which I have been using since the late 1980’s. It’s a brighter blue than Cerulean which I personally find a little flat in comparison. When used in conduction with French Ultramarine and Winsor Blue, you can achieve some beautiful deep blue skies.

My painting “Mont Blanc and Manganese Blue” goes on show at the Bankside Gallery, London Friday 4th – Wednesday 16th March 11am – 6pm and will be available to purchase from the exhibition.

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Christmas Exhibition

Alan Reed Art

Aiguille du Midi

Christmas Exhibition at the Alan Reed Studio & Gallery in Ponteland

Christmas Exhibition Preview Weekend 5th & 6th December

Tuesday to Saturday 9:30am -5:00pm

Continues until 24th December 2015

Earlier this year we had a family holiday in Chamonix, France with our daughter and grandchildren. We took two trips up the spectacular Aiguille du Midi which we would gaze at every day from our apartment in Chamonix.

On each trip up this dramatic peak, accessed by cable car, I did a sketchbook watercolour, one of Mont Blanc, the other seen below, looking across the vast expanse of mountain peaks that seemed to go on for ever. The sketchbook painting became the catalyst for this 16″ x 12″ studio watercolour above, which can be seen at our Christmas Exhibition.

The preview weekend starts 5th & 6th December. The Christmas Exhibition continues until 24th December.

Alan Reed

Sketchbook watercolour of Aiguille du Midi

From Aiguille du Midi you also get a wonderful view of Mont Blanc, the highest mountain in the Alps. I enjoyed painting these scenes so much that I intend to develop more of my sketchbook paintings from Chamonix into larger works.

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New Christmas Card for 2015

New Christmas Card for 2015

This is my new Christmas Card titled “Dear Santa” featuring my 7 year old Granddaughter Anya posting her letter to Santa.

Buy a pack of 5 for £6

 

Dear Santa, New Christmas Card for 2015. Grey Street Newcastle in the snow

 

A classic Grey Street snow scene with busy Christmas shoppers and their umbrellas. I’ve used a limited palette for the architecture and sky however a touch of Cadmium red for the traditional British red pillar box and Anya provides a focus point to this wintery Christmas Card.

The original watercolour painting is for sale in our Christmas Exhibition starting on Saturday December 5th.

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Art Exhibition with Demonstration

Art Exhibition with Demonstration

on September 17th 2015

at The Northern Counties Club, 11 Hood Street, Newcastle

The evening will commence at 6.00pm with a reception drink and canapés.

7.00pm – 8.00pm

Watercolour demonstration and viewing of paintings

8.00pm

Supper in the dining room

Alan has 30 years experience in teaching Art & Design. He is regularly asked to do watercolour demonstrations for Art Clubs and he takes his own Art Classes and Painting Holidays. He also does private lessons in painting and drawing. Taking commissions and portrait paintings from life is another one of Alan’s specialities.

Tickets are £25 and can be purchased by calling Alan on 01661 871 800

www.alanreed.com

Network Artist Alan Reed Studio

Artist Alan Reed in Studio

Watching an experienced artist doing a painting demonstration can be a great help in understanding some of the techniques and methods that you can use if you’re looking to develop your own craft. When I’m doing a demonstration I will usually work on several paintings over the duration of the lesson so that no time is lost waiting for the paint to dry.

Whether you are an experienced painter or just a beginner I’ve no doubt that you will gain some benefit from watching me paint. As a taster, why not watch this short video of me painting on location.

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Summer Exhibition July 2015

Summer Exhibition

All are welcome to join us on 11th July 2015 for our Summer Exhibition.

Enjoy luscious strawberries and Prosecco whilst browsing beautiful paintings.

Today we have been packing up invitations and brochures to send out to our valued customers.

If you are not on our mailing list and would like to receive one then please contact us and we would be happy to send one out to you.

The brochure displays new paintings and prints, also information about commissions and news of our Painting Holiday.

 

 

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Painting Holiday

Alan Reed Painting Holiday

Demonstrating how to paint in the grounds of Chiesa del Carmine

We have just returned from another successful Painting Holiday in Umbria, Italy. Six of our guests from our Painting Holiday in 2014 joined us again this year and  all nine guests hope to return in 2016.

The venue this year was the recently restored church Chiesa del Carmine, a building that was in ruins which I first painted on location back in 2004. I never dreamed that one day I would have the privilege of painting in, what is now, beautifully landscaped gardens.

The accommodation itself is stunning and is the perfect place to chill out and relax. There are plenty of subjects to paint in and around the property (which we did) but we also enjoyed a couple of day trips out and about.

The first was the small hilltop town Todi, just south of Perugia. We based ourselves in the piazza and painted the architecture before enjoying a delicious pizza at a nearby restaurant. 

 

Alan Reed Painting

Watercolour Sketchbook Study of Todi, Umbria

 

After lunch we continued painting the town, this time from a vantage point where we could tackle the terracotta roofs and countryside.

The second day trip was to the market at Umbertide where guests enjoyed wandering about in the warm sunshine followed by lunch in Gubbio, a larger town that boasts the remains of a Roman Teatro and a network of typical Umbrian street scenes.

The painting guests tackled a rather challenging stone fountain, appropriately named Fountain of Madness.

I too had a go painting the fountain but also painted a sketchbook watercolour of the nearby street, capturing the contrasts between the sunlit areas and shadows.

The owners of Chiesa del Carmine offered a 250 Euro prize to the best painting of the week that captured the venue. All the painting guests spent considerable time tackling what was a very difficult subject and the results were not easy to judge. We had an informal critique at the end of the week of all the paintings produced where I also announced the winning painting which will go on display in Chiesa del Carmine.

Alan Reed Painting

Sketchbook Watercolour of Street scene in Gubbio

We’ve already booked the same venue our Painting Holiday next May but this time over two weeks as many more folk have expressed an interest in coming. Please contact for further information.

 

 

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Gullane Art Gallery

Painting of Preston Mill, East Lothian

Preston Mill, East Lothian

I’ve been invited back to exhibit at the Gullane Art Gallery in East Lothian, Scotland as part of their “Promise of Spring” exhibition.

This will be the third time I’ve exhibited at this lovely art gallery not far from North Berwick. I remember as a child we had several family holidays in North Berwick and have vivid recollections of climbing the Law, playing on the putting greens and exploring rock pools.

I also remember Preston Mill, East Lothian’s last working water mill which is now a National Trust property. One of my painting heroes, Rowland Hilder did a watercolour of it, probably in the 60’s. My father Ken Reed also painted it about forty years ago. I thought it only fitting that I should have a go at capturing this delightful historic building for this new exhibition at the Gullane Art Gallery.

Watercolours of the Bass Rock, the Lamb and Fidra also feature in the show together with a new painting of the Grassmarket in Edinburgh. New paintings of Italy, particularly Tuscany, form part of the exhibition too.

You can see my paintings on the Gullane Art Gallery website.

The exhibition at the Gullane Art Gallery starts from noon on Saturday 7th March and runs until Sunday 29th March.

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Edinburgh in the Snow

Edinburgh in the Snow available as a print

Edinburgh in the Snow

This year, my 30th Anniversary since going self employed as a full time artist, I am holding a number of special exhibitions at various venues.

The current exhibition opened on Friday night at the Bob Abley Gallery at Spennymoor Town Hall. The exhibition runs 7th – 28th February and features 30 paintings that represent many of the subjects and places I have painted over the last 30 years.

Since 1993 I have been very fortunate to sell many limited edition prints of Edinburgh.  It was only fitting to include in the exhibition, a new original watercolour of Edinburgh in the Snow which is also available as a limited edition print with only 95 in the edition.

Other subjects include some new original paintings of Newcastle, Italy and the Middle East. As I’m currently working on a series of portraits of members of City Church, Newcastle, I’ve also included some figurative paintings too.

The Bob Abley Gallery is a lovely well lit exhibition space so I’m delighted to have the opportunity to show so many of my paintings together throughout February.

 

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Watercolour Course

Original Watercolour of Theatre Royal

Grey Street, Snow is Falling

My next Watercolour Course is being held at my Studio & Gallery in Ponteland starting Friday 30th January-6th March.

This new Watercolour Course lasts 6 weeks and I will be covering many different aspects of what has been described as the most difficult medium to master.

However, even though watercolour painting is challenging, even an absolute beginner will be able to gain an insight and understanding of at least the basics of watercolour painting through the step by step demonstrations I’ll be giving on a weekly basis.

Each day begins with me going through the reference material provided for the lesson by demonstrating each stage for the students. They then go and work through the process themselves. I’m always on hand should anyone run into any major problems, although I do stress that we learn the most through making mistakes!

Fresh tea and coffee is provided but I recommend that pupils bring a packed lunch to break up the lesson which runs from 10-3pm.

Regarding materials, these are the colours I tend to use the most and which I carry on location: Cadmium Lemon, Cadmium Yellow, Yellow Ochre, Raw Sienna, Scarlet Lake, Rose Madder, Ultramarine Violet, French Ultramarine, Manganese Blue Hue, Cobalt Turquoise Light, Windsor Green, Burnt Umber, Vandyke Brown, Payne’s Grey, Lamp Black and Chinese White.

Alizarin Crimson, Cerulean Blue, Winsor Yellow and Cadmium Orange are also colours which I might also use when working in the studio. Remember, you can mix colours, either in your mixing palettes or through laying one wash of colour on top of another when it’s dry.

For paper, I like to demonstrate on Arches Watercolour Blocks, 14″ x 10″ rough surface or 12″ x 9″ size. I also recommend having a moleskine sketchbook to practise drawing out the subject before commencing the painting.

The painting above “Grey Street, Snow is Falling” is one of the paintings I demonstrated on the last course for the final week. It’s a variation on a watercolour I painted several years ago as a Christmas Card.

I was pleased with the results that the class came up with after only 5 weeks tuition and the feedback about the watercolour course I received from everyone was very positive. If you are interested in finding out more, please contact me.

The links on this post are affiliate links to products which I personally use. If you click on the links and buy any of these products then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

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