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River Tyne

River Tyne Sunset, Near North Shields

River Tyne Sunset

One of the first commissions I received when I went self employed back in 1984 was to do two original watercolours of the River Tyne near the North Shields Fish Quay for a leading North East businessman. Over the years I’ve enjoyed going back to the reference material I gathered back then to do fresh interpretations of the same scenes. My watercolour style and technique has changed over the years but it still ends up being a joy to tackle paintings of the Tyne which capture a bygone era.

The River Tyne of course has been an inspiration for local songwriters and musicians including Sting, Lindisfarne and Jimmy Nail and when you spend time looking at the Big River it’s easy to see why.

The scene above titled “River Tyne Sunset” is now available as a limited edition giclee print online and from our Studio and Gallery in Ponteland. It was painted as a very large original watercolour which was challenging to paint with huge washes of colour to control for the sky and water.

Another difficulty was ensuring that the colours worked together. In particular I had to be careful that the Manganese Blue didn’t pollute the yellows and oranges around the darker cloud shapes. In the end I was very satisfied with final outcome and feel it is a long overdue addition to our growing collection of North East Prints.

 

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20th Birthday for the Angel

Alan Reed

Angel Print Hand Embellished with Gold Leaf

The 17th February 2018 marks the 20th Birthday for the Angel. Created by Anthony Gormley, the “Gateshead Angel” or “The Angel of the North” has become an icon for the North East, often featured on television when a reference for the region is needed.

Opinions are divided about the Angel but I’m in the camp of those who are in favour of this huge sculpture that welcomes those travelling on the A1 to the north.

I recall painting the Angel for the first time back in the spring of 1998 after visiting it on a very wet and muddy day. The site looked like a scene from the First World War with broken fence posts, large puddles and JCB tracks leading up to the dark, almost forbidding sculpture, silhouetted against the bleak sky.

Angel of the North

The Week the Angel Went Up

The scene is now quite different as we are nearing the 20th Birthday for the Angel. The surrounding area has been landscaped and there is a handy car park for visitors.

Since 1998 I’ve painted the Angel on several other occasions at various times of the day, however 2017 saw me receiving one of my largest commissions to date. An exiled Geordie asked me to paint the Angel in oil paint with its wings filling the canvas, coated with 22 carat gold leaf. The result was one of my most dramatic paintings, the Angel standing proudly against a blood red sunset.

We’ve published the painting of the Angel as a limited edition print. Some of the prints are on paper and some are on canvas where I have hand embellished the wings with the same Gold Leaf used on the original oil painting. These hand embellished prints of the Angel also have areas that have been hand painted with oils making them original prints.

I’ve made a short video on YouTube of me applying the Gold Leaf to the wings of the Angel using the same method as on the prints so you can see the process.

You can see all my prints of the Gateshead Angel online at alanreed.com or by visiting our Studio & Gallery in Ponteland.

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Christmas Exhibition

Alan Reed

Grey Street, Newcastle upon Tyne

Our Christmas Exhibition starts on the weekend of the 4th and 5th November 2017. The scene above of Grey Street on a bleak winter’s day in Newcastle is this years Christmas Card and is also available as an original watercolour.

The Christmas Exhibition also includes many new original watercolours and oil paintings which I’ve been working on over the last 12 months in between painting commissions. Local scenes are featured together with works inspired by our Painting Holidays in Italy. Tranquil olive groves and picturesque hilltop towns are always a delight to capture on location in my sketchbook. Then it’s a trip down memory lane in the studio as I reflect on the holiday and develop these studies into more finished paintings.

I’ve also managed to squeeze in some new cityscapes of London and and beach scenes on the island of Tiree in Scotland.

There are a number of new limited edition prints also being showcased for the first time so it promises to be a busy weekend.

Our Christmas Exhibition will continue until Saturday 23rd December 2017.

 

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Painting Holidays in Italy

Alan Reed

Watercolour of an Olive Tree in the grounds of Chiesa del Carmine

Due to growing demand for our Painting Holidays in Italy we have added another week for 2017

Saturday 7th – Saturday 14th October.

A TYPICAL DAY

We start the day with a good healthy breakfast of fruit juices, freshly baked croissants , fresh fruit, eggs, bacon, toast with plenty of fresh coffee or tea. This is where we might discuss the days events and activities, which might be painting on location around the glorious landscape of Chiesa del Carmine or spending a day painting in the nearby villages or towns such as Assisi, Spello, Todi or Cortona.

This could be a half day out or full day depending where we have decided to go and how far it is to travel. The non-painting guests usually come out with us (apart from the golfers) and we all travel together in our luxury coach. Of course anyone who prefers to have a day relaxing by the pool or taking one of the many walks around the valley is their own choice.

We also offer cookery classes, wine tasting, truffle hunting and more……….

Alan Reed

Chiesa del Carmine

On arrival back to our luxurious villa,  the cooks have already arrived and busy preparing dinner in the well stocked kitchen. Those who wish to swim in our amazing pool, this is a lovely time of the day to do so before we sit down to a beautifully prepared evening meal by our own Italian cooks.

All are welcome to join our party even if you don’t intend to paint! Reedart Painting Holidays in Italy take you on a creative journey through winding landscapes, secluded villages and awe-inspiring vistas that’s not only good for your painting portfolio, but good for the soul too.

AVAILABILITY FOR OUR PAINTING HOLIDAYS 2017 & 2018

Saturday 7th – Saturday 14th October 2017

  Saturday 2nd – Saturday 9th June 2018 (1 twin/double room left)

Contact for availability

Open our brochure

Call us on +44 (0) 1661 871 800 | +44 (0) 7718 741 546 or email art@alanreed.comto visit us, chat on the phone or find out any more information.

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Painting Holidays in Italy

Alan Reed

Chiesa del Carmine watercolour

We have just returned from another wonderful week in Umbria where we ran another Painting Holiday. Once again Chiesa del Carmine was the venue. For some of the guests it was their 3rd and 4th Painting Holiday in Italy with us and they have already re-booked for 2018 along with some our new guests this year.

This time we decided to make the holiday even more relaxing by hiring a luxury coach to enable stress free transfers for guests travelling from Newcastle Airport and for our day trips out to the hilltop towns of Assisi, Cortona, Todi and Perugia.

We added wine tasting and a fun trip around the nearby vineyards to our itinery which everyone loved.

The painters responded well to the challenge of painting “en plein air” throughout the week and were pleased with their results. It was a delight to see them develop their skills and grow in their understanding of drawing and painting.

As usual, I would often paint alongside the painters to aid tuition. Sometimes I would do a simple pen drawing in my sketchbook to help resolve the composition.

Alan Reed

Pen & Ink drawing of a vineyard near Chiesa del Carmine

Alan Reed

Sketch book pen drawing of Todi, Umbria

On other occasions I would either paint a sketchbook watercolour on hand made watercolour paper in the new batch of leather bound sketchbooks I had made myself at the Literary and Philosophical Society in Newcastle. It’s so rewarding painting in a sketchbook you have made yourself.

Alan Reed

Sketchbook watercolour of a vineyard

Or I would produce a larger painting on an Arches Watercolour Block. Sometimes I would do all three!

Although there is always lots to paint around Chiesa del Carmine, when you are running Painting Holidays in Italy, it’s always fun to break up the weeks activities by visiting other nearby places. The hilltop town of Todi has easy access for the guests who are less mobile. Park at the bottom of the town and take the funicular to the top where you can get terrific views of  the town which are fascinating to paint.

Several of the guests had a go at painting the scene below. What could have been quite a daunting cityscape for many was simplified by breaking down the complex array of gable ends, eaves and rooftops into more manageable horizontal and vertical shapes. A light wash of Lemon Yellow and Rose Madder for the sunlit areas and a gentle purple mix for the shadows helped to capture the higgledy piggledy nature of the Medieval town without resorting to lots of fussy detail.

Alan Reed

Todi, Umbria

It was a very satisfying trip on so many levels, summed up beautifully by the lovely testimonial below from one of our new guests who has already re- booked for 2018.

 

“Of all the many and varied holidays I’ve had this was one of the very best.  So many aspects of it will stay with me:  the beauty, tranquility, flora and fauna of the valley; the superb reverentially restored church and farmhouse; the attention to detail and comfort (who would have thought of building a fridge and glasses cupboard into an ancient wall surrounding the swimming pool?); the wonderfully talented chefs and friendly staff; the lovely and unspoiled local towns and cities and, most importantly of all, the thought and care that goes into combining all of these into a perfectly balanced week with something for everyone and lots of choice.
 
What about the painting? you’ll be thinking. This was a very personal experience for each of us. As someone with a love of art and no experience of creating any I learned something very important. How to look and how to see. I love Alan’s style and very much enjoy the paintings of his I own. A treasured possessions is one of his exquisite notebooks.
 
He is a sensitive, encouraging teacher at the same time as being an honest and helpful critic (not an easy balance to achieve). I confess to being frustrated by my own crass attempts at producing an actual painting of something recognisable but was not discouraged. I learned about mixing colours, appropriate brushes and something about the techniques I’d be so proud to master. I do have a drawing of an olive tree I’m quite happy with.
 
It was an absolute joy to watch those more skilled (and dedicated!) on site, in cafes, churches and viewpoints learning, sketching and painting. The finished works are more than inspiring.
 
I’m much better at shopping.  And Susan is a highly skilled mentor and adviser in this respect. Local knowledge and networking is something else that is a huge bonus in so many aspects of this holiday.
 
Good conversation, laughter and fun were in abundance last week. I’m missing that already – and the sun. Did I mention the sun? It shone all the time and sometimes with a gentle cooling breeze. Perfect. Everything was, actually, perfect.
 
 Thank you Susan and Alan so, so much”.
Maggie C

We have already set one of the dates for our Painting Holidays in Italy for 2018, 2nd – 9th June. There is now only one double room available.

Due to growing interest, we are considering running another one of our Painting Holidays in Italy in either September or October 2017. You can register your interest for 2018 at reedartholidays.com or alanreed.com

 

 

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Royal Albert Hall

Alan Reed

The Royal Albert Hall

I’m always been attracted to fine, beautifully designed buildings. Painting them means that you end up looking much more intensely to their architectural features and appreciating them all the more.

I first painted the Royal Albert Hall, London in 2005 and sold the original watercolour to a famous opera singer. I recently decided to paint a much larger study which is now available as this limited edition print.

As it was almost 12 years since I first painted the Royal Albert Hall, I decided to re-visit the scene early autumn last year to remind myself of its scale and majesty but discovered that the trees either side of the fine steps leading up to the monument had grown much taller and were obscuring the building. Fortunately I still had the research studies I’d made 12 years previously so I could refer to them.

On a painting of this kind of scale the danger is to really tighten up with the brush marks to the point of making the painting look like a photograph. I had to keep stopping myself from going too detailed to keep the painting looking bright and fresh.

I also made sure that I didn’t go too dark with the shadow areas which could have caused the colours to go muddy. Keeping the effect of autumn sunlight hitting the golden architecture was an important element to the painting too. A light wash of Cadmium Yellow and Cadmium Lemon at the start provided a good base for all the other colours. The wash was intensified around the area of the Royal Albert Hall.

A large size 20 brush was used for much of the painting to avoid going too tight although I did use a smaller brush for some of the architectural details and the figures.

You can watch a short video of me painting 2two of the figures on YouTube.

Music has always been a huge part of my life. Since I’ve started to learn to play the piano in 2015, it has become even more influential to my daily routine. For anyone who has fond memories of seeing concerts at the Royal Albert Hall, this painting will no doubt trigger off recollections of their favourite music.

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Tree of the Year

Painting of Robin Hood's Tree, Hadrians Wall

Sycamore Gap, Hadrians Wall

Sycamore Gap on Hadrian’s Wall in Northumberland was voted Tree of the Year this week by a public vote for the nations best loved tree, organised by The Woodland Trust. 

The winning tree will now receive a grant of £1000 for some “Tree LC” and will compete against trees from all over the Continent for the title of European Tree of the Year, organised by the Environmental Partnership Association.

I recall painting a watercolour of the tree in snow as a Christmas Card for the Marie Curie Cancer fund over 10 years ago. This stretch of Hadrian’s Wall is bleak but spectacular in its barreness and stark beauty. As I’m writing this I’m feeling compelled to go for a walk along the wall and do a spot of sketching!

Sycamore Gap is also known as Robin Hood’s Tree for its appearance in the film Robin Hood, Prince of Thieves starring Kevin Costner.

I’ve since painted the famous tree of the year again in winter sunlight. My viewpoint is taken from the Military Road which shows the tree of the year nestling in the famous gap in the wall. Sunlight is catching the clouds behind and creating an overall feeling of warmth to the painting.

The painting forms part of my Christmas Exhibition at my Studio & Gallery in Ponteland which finishes on the 24th December 2016.

 

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Christmas Cards

Christmas Cards available to purchase online www.alanreed.com or from Alan Reed Studio and Gallery in Ponteland

Our Christmas Exhibition is now on where you can visit us and see a large collection of Paintings, Prints, Christmas Cards and Gifts.

Grey Street in the Snow

Christmas Cards

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Christmas Exhibition

Alan Reed

Mont Blanc & Manganese Blue

 

Christmas Exhibition starts Saturday 5th November with Fresh Coffee and Mince Pies.

Christmas Exhibition starts Saturday 5th November with Fresh Coffee and Mince Pies.

Click HERE for more information.

 

2016 has been busy and eventful year. It began with my watercolour “Mont Blanc and Manganese Blue” being selected for the Royal Watercolour Society‘s Competition in January. It is a painting inspired by a very memorable trip to Chamonix in the summer of 2015 when I was able to produce a number of sketchbook studies of the stunning scenery. My Mont Blanc painting forms part of this years Christmas Exhibition.

Alan Reed

Last Light, Ruwi, Oman

Much of this year has been spent working on commissions, including another 4 large landscapes for a client in Oman. Two of the commissions were oil paintings of mountain wadis. Continuing on the mountain theme is “Last Light, Ruwi, Oman” a painting which I was shortlisted for “Artist of the Year”. This watercolour is also on show for my Christmas Exhibition.

My connections with Scotland remain as strong as ever so I have several new original paintings on display featuring Edinburgh, Eigg and Rhum, Crail, Pittenweem and North Berwick.

You can also browse through my extensive collection of limited edition prints of Scotland at our Christmas Exhibition.

Italy has also been on our radar throughout 2016. In May and June we took guests out to Umbria for the painting holidays which we organise. We also took day trips to Arezzo and Anghiari in Tuscany so that the guests could have experience in painting these picturesque hill top towns steeped in history. Our week for June 2017 is already fully booked but we are taking expressions of interest for future painting holidays.

We returned in August for another trip where we experienced the tremors of the tragic earthquake which left many dead and homes destroyed. A reminder of the fragility of life.

I’ve also had the good fortune of working on several more painting commissions of Italy including 2 of the Colosseum. See some of my new works of Italy this Christmas Exhibition.

Alan Reed

Theatre Royal in the Rain

Of course, Newcastle and Northumberland features heavily for my Christmas Exhibition so there will be some new works for you to see on the run up to Christmas.

My Christmas Exhibition starts on Saturday 5th November. It runs Tuesday to Saturday 9:30 – 5pm right up until Christmas Eve on the 24th so you will have plenty of time to buy that special present for your loved one.

 

 

 

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Paintings of Umbria

Alan Reed

Via Roma, Montone

It’s the time of year when I’m busy working on commissions and fitting in time to paint new works for my Christmas exhibition. One of my latest works is this street scene of Via Roma in Montone, Umbria available as a limited edition print.

When we were taking our guests on the Painting Holidays in Italy this year, we spent an afternoon in the delightful hilltop town, Montone. It’s a lovely place with plenty of subject matter to paint. I did a couple of watercolours “en plein air” which were the inspiration for this A4 painting on deckled edged paper.

Over the years, my Paintings of Umbria have resonated with many customers, particularly those who have properties there. I’ve been very fortunate to have received a number of commissions to go out and paint original paintings of clients homes throughout this beautiful region, described as the “Green Heart of Italy”.

Often with my Paintings of Umbria, I deliberately choose to use a limited palatte to create mood and atmosphere. I will refer back to my studies painted on location to ensure that I retain the lively brush marks and looseness of the original sketch. This studio painting of Via Roma follows that pattern. There’s a strong feeling of light and movement running throughout the painting, even in the shadow areas.

This is one of several Paintings of Umbria that will go on display for my Christmas Exhibition later on this year. Please sign up to our newsletter to receive updates on new paintings and events.

 

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