Portrait Sketches

As I mentioned in my previous post, I will often start my painting days with a warming up exercise. My usual practise is one or two charcoal pencil studies of John Singer Sargent portraits in my Moleskine sketchbook.

Last year I did a few time lapse videos of these portrait sketches to show the process of these simple studies. I start off with the outline of the head. Halfway down I start to draw the eyes. One these are in place, halfway between the eyes and the chin I’ll make some marks to indicate the tip of the nose. Slightly above the halfway mark between the nose and the chin is the mouth.

All these distances are only guidelines for doing portrait sketches. To get a good likeness you have to be really accurate with your proportions, shapes and mark making. Like any craft or skill, regular practise in necessary to become competent.

To find out about commissioning a portrait then visit my website to watch a short video.

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Time Lapse Sketches

Alan Reed

Charcoal Drawing of a John Singer Sargent Portrait

When I have a painting day ahead of me I like to spend a few moments warming up in my Moleskine Sketchbook. Usually I’ll have a quick flick through my John Singer Sargent books and choose a portrait to draw. I’ll sharpen up a medium to soft charcoal pencil and launch straight into the study.

The idea is simply to warm up, getting my hand to eye coordination  up to speed before tackling a more finished painting. It’s more about the journey than the outcome.

I’ve recently started to do some time lapse videos on my iPhone so folk who are interested can see the process of making a quick outline of the head before adding the details of the eyes, nose, mouth, hair etc. These videos have been uploaded to YouTube so if you click on the link it will take you to their site. The image above is a still from the time lapse video. The actual real time of the sketch is no more than twenty minutes.

 

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Corporate Art

The Circus, Bath, Early Morning

The Circus, Bath, Early Morning

Impress your visitors with bespoke art in your reception area or decorate your working environment with art that conveys your company’s corporate message.

Alan Reed Art carries many large pieces of original art as well as having the facilities to reproduce images in large format on media over 1 metre wide by 20 metres long, with or without frames.

You could commission a piece of art for your Boardroom or Reception area which would be exclusive to your company. The artwork reproduced can then be placed in all of your outlets to strengthen your corporate identity.

This key piece of art can be specifically painted to relate to your business ie:  manufacturing, industry, cafe scene, street scene, people dancing or enjoying a drink, sporting activities etc, the list is endless.

Or you might like to choose artwork to be painted in your corporate colour to build on your corporate image. As well as providing a feel good factor for workers and visitors alike, it can add to the aesthetic ambiance of your working environment.

Alan Reed Art offer a full corporate service for any type of businesses both large and small and includes a free consultancy service to guide you and give advice on images, sizes of artwork, colour co-ordination and styles of framing etc…

Please feel free to discuss your requirements, no matter how big or small, using art@alanreed.com or telephone 01661 871 800

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Painting Holiday

 

Week 1  Thursday 13th – Thursday 20th April 2017 (Doubles & 2 Singles)
Week 2   Saturday 3rd – 10th June 2107  (Fully booked)
For October availability 2017 – Please register your interest at art@alanreed.com

 

To find out more about Painting Holidays in Italy visit reedartholidays.com

 

Alan Reed

Chiesa del Carmine

We have just returned from our Painting Holiday in Italy. This year we did 2 weeks, one in May and one in June. Once again, it was a huge success with our guests, many of whom have now been on 3 painting holidays with us.

The setting was the beautifully restored Chiesa del Carmine, a 13th century church in the tranquile Valenzino valley in Umbria. We were fortunate with the weather and enjoyed sketching some of the nearby hill top towns and villages like Corciano, Anghiari, Montone and Arezzo.

Alan Reed

Sketchbook watercolour of Corciano, Umbria

The guests are equally as happy to paint the interior of Chiesa del Carmine and its delightful gardens, full of olive trees, fragrant bushes and very paintable terracotta pots.

Alan Reed

Terracotta Pots

Our guests have been very enthusiastic about the whole experience which has been nicely summed up with this testimonial.

Dearest Susan and Alan

Where to start! Well, what a wonderful experience. Heather and I really did not want to leave. Not only because of the beautiful setting and sheer luxury combined with being pampered and being served exquisite food along with the days visiting beautiful places. But most all, and the icing on the cake, was being able to be there with you. A time to share, reflect and be thankful for all that we have. Thank you from the bottom of our hearts for memories made possible and which will remain for some time to come. Much love and blessing.

Bob and Heather. Xxxx

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Colosseum Painting

Alan Reed

Colosseum, Rome

One of the many thrills of being a full time artist is receiving commissions to paint subjects which you find stimulating and exciting. Over the last 12 months I’ve received a number of commissions to paint some of the architecture built by the Romans.

Because of my training at art college in architecture, I really enjoy the whole process of gathering reference material on location through watercolour sketchbook studies of the ancient architecture and photography. Pulling all the material together in my studio to create a finished watercolour is a rewarding task, particularly when I know how much the client really appreciates the final outcome.

The most recent commission is a painting of the Colosseum in Rome. I’ve painted the Colosseum on a number of occasions at different times of day and various angles. This particular view of the Colosseum is taken from the Roman Forum when I spent an afternoon sketching around the various ruins.

Alan Reed

Roman Forum, Dawn

I also rose before dawn to capture the sun rising over the remains of the temples as you can see in the watercolour sketch above.

Other commissions of Rome have included the Arch of Titus and Parco degli Acquedotti and the Roman Forum.

To find out more about commissioning a painting, please visit my Studio & Gallery in Ponteland for an informal chat or watch the Commissions Video on my website.

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Painting Holiday

Alan Reed

Spello, Umbria

It’s only a few days now until our first Painting Holiday in Italy for 2016. All of the guests from our trip in 2015 have re-booked for another week in the 5 star luxury accomodation Chiesa del Carmine a beautifully restored ancient 13th century church.

Due to the popularity of the Painting Holiday, we have hired Chiesa del Carmine for a second week 4th – 11th June and we do have late availability.

Guests will be able to receive instruction on how to paint “en plein air” in watercolour, taking in the stunning views around the valley. We will also be going out for day trips to some of the picturesque hilltop towns and villages like Spello seen in the sketchbook watercolour above.

There are non painting guests too who are happy to enjoy relaxing in the fabulous grounds, the day trips and a round of golf at the nearby championship golf course Antognolla.

Alan Reed

Chiesa del Carmine

Bed, breakfast and evening meals are included in the price of the Painting Holiday. To find out more visit reedartholidays.com or to see a brochure click on this link.

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Springtime

Alan Reed

Bamburgh Castle Watercolour

It’s springtime! As I’m writing this blog post the weather outside feels distinctly more like winter but that’s not untypical for April in the north east of England. Despite the weather, springtime is the theme for my exhibition currently on show at my gallery in Ponteland throughout the month of April.

Because we can experience such variable weather, sometimes in a single day, my springtime exhibition is as equally varied. There’s an eclectic mix of places and subjects to see for springtime like some of the very picturesque fishing villages on the East Neuk of Fife, cityscapes of Edinburgh and the Alps, including my painting “Mont Blanc and Manganese Blue” which was selected for the Royal Watercolour Society Exhibition earlier this year.

Other subjects include some classic views of Newcastle’s Grey Street, the Roman Forum in Italy both of which have been captured in springtime. I also have some figurative paintings on display too.

Springtime is often a period where we take a fresh look at our homes and gardens to create a new look and feel to the environment we spend so much time in. What better place to start than to add to your art collection.

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Learn to paint

Alan Reed

Watercolour, View from San Gimignano

The guests that come on our painting holidays in Italy learn to paint, mainly in watercolour. I’ve been teaching various aspects of art and design for over 30 years. Throughout this time I’ve learnt that there are no real short cuts to getting good at painting, however there are various things you can do to speed up the learning process.

On our last painting holiday in Umbria, I was impressed by the piano playing of one of our guests who would entertain us on the grand piano at Chiesa del Carmine. I found myself saying, not for the first time, “I wish I could play the piano”. However, on this occasion, I decided to do something about it.

Watercolour by Alan Reed

Leon Playing the Grand Piano at Chiesa del Carmine

When we returned, I went to J.C. Windows in the Central Arcade in Newcastle and purchased a digital piano. I had no previous experience of playing a musical instrument other than playing about on the old piano at my grandmother’s house when I was child, so I knew that if I was going to take this seriously, I would need to get lessons and to practise on a daily basis.

Since the summer of 2015 I’ve been taking lessons once a week and have tried to practise for about an hour a day. When you are a complete beginner in any new skill, you really do benefit from receiving instruction from an expert. Within 6 months of purchasing the piano I had learnt a number of pieces and I’m starting to sight read music. It’s like learning a new language, very difficult at first, but gradually you start to understand what you are meant to be doing.

If you want to learn to paint, then you will benefit from taking lessons from an expert who is good at teaching, however you must also practise on a regular basis. I’m always impressed at how quickly my students have improved when they have attended one of my 6 week watercolour classes, or even on a one week painting holiday. I know that further improvement will happen if they are sketching regularly. You’re better off drawing or painting every day for thirty minutes to an hour than once a week for several hours if you really want to learn to paint.

We still have spaces on week two of our painting holiday in Umbria, Italy 4th – 11th June 2016. Please contact reedartholidays for details.

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Sketchbooks

Alan Reed

Sketchbook watercolour of Mont Blanc from Chamonix

I’m often asked “which is my own favourite painting?” It’s a question which I find so difficult to answer. Over the years I’ve painted many different scenes which I’m really pleased with and on so many different levels.

In more recent years I’ve been painting portraits of people, which again, I’ve become attached to. However, if I had to choose examples of my work to ponder over and reflect on, it would have to be my ever growing collection of hand made leather bound sketchbooks that I take with me on our travels.

Alan Reed

Leather Bound Sketchbooks

Although I’ve been painting on location in watercolour “en plein air” for almost 30 years it was not until a painting trip to Umbria, Italy in 2002 that I began to paint “on the spot” in these precious sketchbooks. My wife and I visited the Fabriano Paper Factory in the Marches region and I fell in love with the small leather bound books containing their lovely paper that they were selling in the factory shop. I purchased several.

When we returned to the Relais il Canalicchio where we were staying I tentatively decided to put brush to paper and painted the view out of our window. You can see my first watercolour of an Umbrian sunset in the image below.

Sketchbook watercolour

View from the Relais il Canalicchio

Unusually for me, I decided not to do any preparatory pencil drawing, choosing to “draw” with the brush, painting directly onto the beautifully textured paper. It’s a discipline that I’ve continued with ever since. It’s not something that I would advocate for a beginner if I was teaching them on our painting holidays in Italy but it is a discipline that a more experienced water-colourist would find both challenging and rewarding.

Alan Reed

Sketchbook watercolour of Aiguille du Midi

When we took our daughter and grandchildren to Chamonix in France in July 2015 and the grandchildren watched me paint Aiguille du Midi (above) and Mont Blanc, the value of my sketchbooks became apparent, even to the grandchildren. They could see how I was recording in paint some of the special aspects of our holiday in a way that photography cannot. They even started asking me if they could have certain sketchbooks when I die!

I now have an ever growing collection of sketchbooks which document our travels to countries like Italy, Oman, Kuwait, USA and of course throughout the UK. I’ve even started to make them myself which is even more rewarding.

The guests on our painting holidays to Italy are encouraged to paint both on watercolour blocks or pads of watercolour paper but also in sketchbooks so that they too can have a record of their travels.

If you would like to find out more about working in sketchbooks “en plein air” or coming on a reedart painting holiday then please contact me.

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Painting of Pittenweem

Alan Reed

Watercolour of Pittenweem.

“A Mix for March” is a new exhibition at the Gullane Gallery which started on the 12th March. I’ve a number of new works on display including this new Painting of Pittenweem. I was fortunate to travel up to the East Neuk of Fife earlier in the year to do some sketchbook watercolours of three of the very picturesque fishing villages dotted along the coastline.

For this particular Painting of Pittenweem, I wanted to retain the loose sketchbook qualities of the “en plein air” study so I used a hand made Indian rag paper with deckled edges and a rough surface. I kept the brush marks lively and fresh without loosing too much detail.

Alan Reed

Sketchbook watercolour of Pittenweem

It’s not the first time I’ve produced a painting of Pittenweem. If you visit my website www.alanreed.com you will see a range of limited edition prints of the East Nuek of Fife including one of Pittenweem.

The exhibition at the Gullane Gallery finishes 3rd April.

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