Painting Holiday, Italy

Watercolour Sketch

Sketchbook Watercolour of Perugia

There are still a few places available for our Painting Holiday, Italy May 2015. This year we’ve booked the luxurious 5* Chiesa del Carmine set in a picturesque valley in Umbria.

Susan and I first stayed in this stunning valley at  Casa San Gabriel  (which boasts commanding views looking towards Assisi) back in 2004. The owners, David and Chrissie, commissioned me to do a painting of their properties which had been lovingly restored into holiday homes. We enjoyed ourselves so much that we’ve kept coming back ever since!

The dates for this Painting Holiday, Italy are 9th-16th May 2015. Six of the guests from last year have re-booked and this is what one couple had to say about the trip.

“My wife and I decided to go on a painting and sketching holiday last year organized by Alan Reed.

The location was in the Italian region of Umbria. Our expectations were high but were far exceeded by the actual experience.

A combination of beautiful scenery, superb accommodation and professional guidance made it an unforgettable event”.

Thank you Alan. Léon and Linda.

Susan and I will be taking guests out to some of the nearby towns and villages so that the painters can learn how to paint “en plein air”. I’ll be leading by example through my sketchbook watercolours and larger studies painted on Arches Watercolour Blocks.

I’ll also be showing the benefit of sketching in moleskine sketchbooks to improve ones drawing techniques.

Non painting guests will be able to explore the places we visit knowing that Susan will be on hand to translate any Italian if required. There will also be time to chill out in the beautiful grounds of Chiesa del Carmine or go for relaxing walks in the valley. Included in the price is the accommodation, breakfasts and evening meals.

To find out more, please contact Susan or myself.

Some of the links on this post are affiliate links to products which I personally use, available from Amazon. If you click on either of the links and buy the product then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

 

 

 

Comments { 0 }

Watercolour Course

Original Watercolour of Theatre Royal

Grey Street, Snow is Falling

My next Watercolour Course is being held at my Studio & Gallery in Ponteland starting Friday 30th January-6th March.

This new Watercolour Course lasts 6 weeks and I will be covering many different aspects of what has been described as the most difficult medium to master.

However, even though watercolour painting is challenging, even an absolute beginner will be able to gain an insight and understanding of at least the basics of watercolour painting through the step by step demonstrations I’ll be giving on a weekly basis.

Each day begins with me going through the reference material provided for the lesson by demonstrating each stage for the students. They then go and work through the process themselves. I’m always on hand should anyone run into any major problems, although I do stress that we learn the most through making mistakes!

Fresh tea and coffee is provided but I recommend that pupils bring a packed lunch to break up the lesson which runs from 10-3pm.

Regarding materials, these are the colours I tend to use the most and which I carry on location: Cadmium Lemon, Cadmium Yellow, Yellow Ochre, Raw Sienna, Scarlet Lake, Rose Madder, Ultramarine Violet, French Ultramarine, Manganese Blue Hue, Cobalt Turquoise Light, Windsor Green, Burnt Umber, Vandyke Brown, Payne’s Grey, Lamp Black and Chinese White.

Alizarin Crimson, Cerulean Blue, Winsor Yellow and Cadmium Orange are also colours which I might also use when working in the studio. Remember, you can mix colours, either in your mixing palettes or through laying one wash of colour on top of another when it’s dry.

For paper, I like to demonstrate on Arches Watercolour Blocks, 14″ x 10″ rough surface or 12″ x 9″ size. I also recommend having a moleskine sketchbook to practise drawing out the subject before commencing the painting.

The painting above “Grey Street, Snow is Falling” is one of the paintings I demonstrated on the last course for the final week. It’s a variation on a watercolour I painted several years ago as a Christmas Card.

I was pleased with the results that the class came up with after only 5 weeks tuition and the feedback about the watercolour course I received from everyone was very positive. If you are interested in finding out more, please contact me.

The links on this post are affiliate links to products which I personally use. If you click on the links and buy any of these products then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

Comments { 0 }

Artist of the Year 2014 Exhibition

 

http://blog.alanreed.com/wp-content/uploads/2015/01/Alan-Reed-Mall-Galleries.jpg

Alan Reed outside Mall Galleries, London

On Tuesday evening I attended the Preview evening for Artists & Illustrators Magazine‘s “artist of the year 2014″ exhibition.

I was delighted to be chosen as one of 50 shortlisted artists out of over 3000 entries with my entry “Last Light, Ruwi”, particularly as it came in my 30th anniversary year.

You can read more about my painting in a blog post I wrote 7th October about the competition.

The exhibition is being held at the Mall Galleries, London until 17th January.

If you’re in London during this period I can recommend calling into the Mall Galleries (situated on the Mall near Admiralty Arch) to see the exhibition for artist of the year 2014. It features a wide range of artistic styles and mediums.

Also, try to see the stunning Rembrandt show at the National Gallery which finishes 18th January. It’s worth putting up with the crowds to take in the late works of one of the greatest painters of all time.

I managed to get to the Rembrandt, Late Works show and despite the crowds was able to make several sketchbook studies in my moleskine sketchbook using charcoal pencils. I’ll be saying more about this in a future blog post.

One of the links on this post is an affiliate link to a Moleskine sketchbook, a product which I personally use, available from Amazon. Another is for some charcoal pencils. If you click on the links and buy any of these products then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

Comments { 0 }

Portraits in Charcoal

Charcoal Portrait of Emanuela

Portrait of Emanuela

Drawing Portraits in Charcoal can be a very rewarding experience, especially when you are working from life. When I have a portrait commission, especially if it’s a child, I find it helpful to do a quick study in one of my moleskine sketchbooks.

Usually children these days don’t like to sit still for even just a few minutes so it’s nigh on impossible to do an oil painting from life of a child. One has to rely on photographs but there is a real benefit in having a couple of sketches to refer to as well.

This study in charcoal pencil of Emanuela is based on a much longer drawing made from life over three short afternoon sittings. It is currently on view as part of my 30th Anniversary Christmas exhibition at my Studio & Gallery in Ponteland.

One of the links on this post is an affiliate link to a Moleskine sketchbook, a product which I personally use, available from Amazon. Another is for some charcoal pencils. If you click on the links and buy any of these products then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

Comments { 0 }

30th Anniversary

Alan Reed Art 1984-2014

30th Anniversary

Thank you to all our customers who came along and supported us at our Christmas Party weekend in November. We hope you enjoyed your complimentary goody bag to go with the paintings and Christmas Cards you purchased.

Our 30th Anniversary Christmas Exhibition is currently on view at my Studio & Gallery in Ponteland until 24th December. Our usual opening hours are 9:30-5pm Tuesday to Saturday although we will try to accommodate customers outside of these hours too.

There’s usual ample parking space on our drive and along Elm Road that runs alongside our home and you will be offered fresh coffee or tea on arrival.

The Christmas Exhibition is a mixed show of original paintings, limited edition prints and Christmas cards depicting scenes of the North East, Scotland, Italy and the Middle East.

Over the following 10 months I will be holding a number of other events and exhibitions outside from our Studio and Gallery to celebrate my 30th Anniversary which you can find out about by subscribing to our newsletter.

In January I will be showing my painting “Last Light, Ruwi” at the Mall Galleries, London, which was shortlisted for Artists & Illustrators “Artist of the Year”. The Reader’s vote will be announced at the Private View 6th January. The exhibition continues until 17th January. You can still vote for me here by clicking on this link.

30th anniversary celebrations continue when I will exhibiting at Spennymoor Town Hall 7th- 28th February. Further events are planned for March and April (including the launch of the City Church Portraits at the CastleGate) before we set off to Umbria, Italy for a week. I will be teaching on our painting holiday at a beautifully restored church Chiesa del Carmine.

We still have a few places available if you are interested in coming along. Six of the guests from last year have already re-booked.

 

Comments { 0 }

Jesmond Dene Painting

Jesmond Dene in Winter

Jesmond Dene in Winter Painting

My 30th Anniversary Christmas Party starts on the weekend of 15th-16th November. It’s one of several events we’re organising over the following year to celebrate my 30 years as a full time artist.

The featured painting on my invitation is Jesmond Dene in Winter. The original watercolour has already been sold, however I’ve decided to publish the painting as a limited edition giclee print with only 30 prints in the edition.

I’ve also reproduced the Jesmond Dene Painting as a Christmas Card which is available online in packs of 5 and at my Studio & Gallery in Ponteland.

The Jesmond Dene Painting was inspired by an afternoons sledging with my grandchildren one winter in Jesmond Dene. I managed a small sketchbook watercolour before the light faded and took a number of photographs which I used to compose the painting. Already, I’ve had a number of customers contacting me saying that the painting reminds them of times they have spent sledging with their own children.

The exhibition which runs until 24th December includes a number of new paintings including scenes of Newcastle, Northumberland, Scotland, Italy and the Middle East.

As a special thank you to the customers who have supported Alan Reed Art over the last 30 years, there will a Christmas present for the party guests attending the weekend preview. There will also be a Christmas Bran Tub along with festive refreshments!

If you are unable to attend the Christmas Exhibition Party but would like to be informed of future events please subscribe to our newsletter which we usually send out once a month.

Comments { 0 }

Artists and Illustrators

Last Light, Ruwi, Oman Painting

Last Light, Ruwi, Oman

On Friday I received a phone call from Artists and Illustrators Magazine to say that I’d been shortlisted as one of 50 artists for their competition “Artist of the Year 2014″ with my original watercolour “Last Light, Ruwi, Oman”. I was delighted with the news as there were over 3,000 entries.

The winner will be announced in the December issue of the magazine which comes out on the 7th November. There will be an exhibition at the Mall Galleries in London 6th-17th January of the shortlisted entries.

My studio watercolour of Ruwi in Oman is the result of spending many hours making sketchbook studies on location in Oman. I’ve often risen when it was still dark to make sure I was in the right spot to capture the early morning light, however on this occasion it was a case of being in the right place to record the last throws of the middle eastern sunlight catching the distant hills.

The district of Ruwi can be seen nestling in the surrounding foothills with its white architecture coated in cool shadows. I’ve used a limited palate of Winsor and Newton watercolours on a very rough handmade paper to create a distinct contrast between the dark purple, craggy hills and the lighter crisp edges of the buildings.

I’ve now been painting scenes of Oman for 8 years for various clients in Oman. In 2013 I was thrilled to receive “The Artists prize” for the Royal Watercolour Society Competition from The Artists Magazine. My winning painting on that occasion was Jebel Akhdar, Oman which is currently on view at my Studio & Gallery in Ponteland.

The links on this post are affiliate links to products which I personally use. If you click on the links and buy any of these products then I will receive a small percentage of the sale from Amazon at no extra cost to yourself.

Comments { 0 }

30th Anniversary

Artist Alan Reed 1984 Press release

Artist Alan Reed 1984

On the first of October 1984 a young budding artist called Alan Reed took the plunge to go self employed as a full time artist through the Enterprise Allowance Scheme, an initiative set up by Margaret Thatcher’s Conservative Government which gave a guaranteed income of £40 a week to unemployed people who set up their own business. Over 350,000 individuals were funded through the scheme including artist Tracy Emin and the founders of Viz Magazine.

I remember the build up to going Self Employed very vividly. I recall that I’d been working on a one year contract at the Hancock Museum painting the backdrop for a huge display called Abel’s Ark. When the contract ended I was unemployed for several months so I decided to work towards an exhibition of some new paintings to be exhibited in an art gallery in Rothbury. The local press picked up on the story. I’d managed to save a £1000 to put in a new business account which meant I qualified to receive the £40 a week for a year. This was a massive help in getting started on 1st October 1984.

Those early years in business were also aided by a part time income from lecturing at Derwentside Technical College in Consett where I taught graphic design and illustration. Much has happened since then which I will be writing about over the next few months to record my travels and life as an artist.

It’s incredible to think that I’m now celebrating my 30th Anniversary in business. Where have the years gone? And where did the hair go?

To celebrate my 30th Anniversary I will be holding a number of exhibitions over the next 12 months. Here are a couple of dates to put in your diary:

13th November Portraits of City Church Members to be launched at The CastleGate, Newcastle.

15th November 30th Anniversary Christmas Party at my Studio & Gallery, Ponteland.

Comments { 0 }

City Church Portraits

Sight Size Painting

Oil Painting Portrait of Sola Idowu

Over the last 12 months I have been working on a painting project for City Church Newcastle which meets at the CastleGate, Melbourne Street, Newcastle.

In the summer of 2013 I was approached by Ed Morrow (who manages the CastleGate) asking my advice about what kind of artwork would look good in the new atrium which would reflect the vision of the church.

My wife Susan and I have been members of City Church since it’s beginning. Our vision is that we will be a church of thousands, a community full of people from every nation. My suggestion was that I painted a number of portraits of church members of different ages, races and stages of life that represented the church family.

I started the first one in October 2013 with several sittings of Adrian Smith. The Portraits have been painted in oils on aluminium panels for Health and Safety reasons. They have to be prepared first with emery paper then primed using an Etch Primer. I then paint several coats of an oil paint primer before tinting each panel to a neutral tint. It’s at that point I can begin a series of sittings, painting from life.

I have used photography as an aid to make sure that the proportions are correct. With the exception of the children I’ve painted 90% of the painting work is from life, painting from observation.

Most of my 30 year professional career has been spent painting landscapes, cityscapes and seascapes in watercolour throughout the North East, Scotland, UK, Italy and the Middle East. I’ve learned many years ago when to finish a painting in watercolour, the danger of overworking it being a real possibility. Once you overdo it, there’s no going back with watercolour!

With oil painting, it’s quite different. You can always see little details to fiddle on with to keep trying to improve the portrait. If you make a mistake, you simply correct it. I’m a bit of a perfectionist when it comes to painting so I needed a justifiable reason to stop each portrait. All christians are a work in progress, none of us will achieve perfection until the day we are united with Jesus Christ. I’ve deliberately decided to have some of the portraits “unfinished”. This is a random choice and not any reflection on anyone’s spirituality!

The plan at this point in time is to have a launch later on in the autumn when the portraits will be hung in the atrium to coincide with a “Vision Sunday” for the church.

Comments { 0 }

Watercolour Tips

Favourite Artists

Watercolour Artists

I’m currently running a 6 week watercolour painting course at my Studio & Gallery in Ponteland. One of my top Watercolour Tips is to study the work of some of the great watercolourists.

There are a some terrific books available which are a “must buy” for anyone wishing to develop their watercolour skills.

Starting with Watercolour by Rowland Hilder is the first book on painting that I really took note of. Not only does it contain some great watercolour advice but also some good, simple examples of basic drawing principles like perspective, vanishing points and eye levels.

Another great book by Rowland Hilder is Painting Landscapes in Watercolour. It has a good number of paintings reproduced in stages from the start to completion. This is really helpful if you want to have a go at copying them. Copying paintings is a discipline which I totally endorse as part of the learning process.

One of the finest watercolorists is the American Winslow Homer. His watercolours are breathtakingly beautiful. A book by Helen A. Cooper on his watercolours will be a constant inspiration to anyone who loves this medium.

In June I saw a couple of brilliant exhibitions of Edward Seago paintings in London. One of the exhibitions at the Portland Gallery was to coincide with a new book on Edward Seago by James Russell. It’s certainly worth getting if you like his work. Another book to add to your Christmas list (which contains some larger plates of Seago watercolours) is Edward Seago by Ron Ranson.

For more Watercolour Tips you need look no further than John Singer Sargent. The recent book John Singer Sargent Watercolours which was launched in conjunction with a major exhibition of his watercolours in New York and Boston in 2013 is another inspirational book.

There are many other books on the market which I could recommend. These however, are amongst my favourites.

Some of the links on this post is are affiliate links to books which I personally read, available from Amazon. If you click on any of the links and buy the product then I will receive a small percentage of the sale from Amazon at no extra cost to yourself. 

 

Comments { 0 }